{"title":"Jazz\/ Blues","description":"","products":[{"product_id":"thelonious-monk-brilliant-corners","title":"THELONIOUS MONK - BRILLIANT CORNERS","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 1\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=AwlbjCzO9KU\u0026amp;list=PLs9zwqXsceUjhNRxJXuljXqJlEoDvJV8E\" rel=\"noopener\" target=\"_blank\"\u003eBrilliant Corners\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=cMoRc5zh0C0\u0026amp;list=PLs9zwqXsceUjhNRxJXuljXqJlEoDvJV8E\u0026amp;index=2\" rel=\"noopener\" target=\"_blank\"\u003eBa-lue Bolivar Ba-lues-are\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 2\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=s569_FEcwAQ\u0026amp;list=PLs9zwqXsceUjhNRxJXuljXqJlEoDvJV8E\u0026amp;index=3\" rel=\"noopener\" target=\"_blank\"\u003ePannonica\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=fdECHcQgclk\u0026amp;list=PLs9zwqXsceUjhNRxJXuljXqJlEoDvJV8E\u0026amp;index=4\" rel=\"noopener\" target=\"_blank\"\u003eI Surrender, Dear\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=9IO86sbAH3o\u0026amp;list=PLs9zwqXsceUjhNRxJXuljXqJlEoDvJV8E\u0026amp;index=5\" rel=\"noopener\" target=\"_blank\"\u003eBemsha Swing\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThelonious Monk’s Brilliant Corners is the fifth release in Craft Recordings’ acclaimed Small Batch vinyl series. A landmark title in the pianist’s celebrated catalog, the 1957 album not only introduces several Monk originals, but also features an all-star line-up of talent, including Sonny Rollins, Max Roach, and Paul Chambers. This Small Batch pressing is limited to just 4,000 copies worldwide.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs with all albums in the series, Brilliant Corners features lacquers cut from the original tapes (AAA) by Bernie Grundman and pressed on 180-gram vinyl at RTI using Neotech’s VR900 compound. This one-step lacquer process (as opposed to the standard three-step process) allows for the utmost level of musical detail, clarity, and dynamics while reducing the amount of surface noise on the record. The limited nature of these pressings guarantees that each record is a true representation of the original lacquer and is as close as the listener can get to the original recording.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEach copy is individually numbered and encased in a foil-stamped, linen-wrapped slipcase featuring an acrylic inset of the original artwork. The vinyl disc ­– extractable through a unique, frictionless ribbon pull tab – is housed in a reproduction of the album’s original tip-on jacket from Riverside Records and protected by an archival-quality, anti-static, non-scratching inner sleeve. New liner notes from the GRAMMY® Award-winning music historian, journalist, and producer, Ashley Kahn complete the package.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eReleased in April 1957, Brilliant Corners was transformative for Monk’s career, delivering him a major comeback. The album was met with wide acclaim, including from DownBeat’s Nat Hentoff, who proclaimed it “Riverside’s most important modern jazz LP to date.” In 2003, the album was among the first 50 recordings chosen for the Library of Congress’s National Recording Registry, while over the decades, Brilliant Corners has ranked regularly as an essential jazz title.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePlease note, due to the limited nature of this pressing there is a per household limit of two copies. Product is excluded from discount code offers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44435232522340,"sku":"VRIC001","price":3900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/TheloniousMonk-BrilliantCorners.jpg?v=1738920549"},{"product_id":"dexter-gordon-dady-plays-the-horn","title":"DEXTER GORDON - DADDY PLAYS THE HORN","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 1\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=XcdvyJfEsVM\u0026amp;list=PLyqAz2idXOaVEEV09jh4nx0hVFxOd9Tpw\" target=\"_blank\" rel=\"noopener\"\u003eDaddy Plays The Horn\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=gUJAnqZXszU\u0026amp;list=PLyqAz2idXOaVEEV09jh4nx0hVFxOd9Tpw\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eConfirmation\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=JgfBUwUSsO8\u0026amp;list=PLyqAz2idXOaVEEV09jh4nx0hVFxOd9Tpw\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eDarn That Dream\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 2\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=cdypFcOh2iI\u0026amp;list=PLyqAz2idXOaVEEV09jh4nx0hVFxOd9Tpw\u0026amp;index=4\"\u003eNumber Four\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=o-v5S0VA9MQ\u0026amp;list=PLyqAz2idXOaVEEV09jh4nx0hVFxOd9Tpw\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eAutumn In New York\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=y6oQNo7i0XE\u0026amp;list=PLyqAz2idXOaVEEV09jh4nx0hVFxOd9Tpw\u0026amp;index=6\"\u003eYou Can Depend On Me\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e180-gram vinyl\u003c\/p\u003e\n\u003cp\u003e\"During a period of Dexter Gordon's (tenor sax) life — when he was deep in the throws of chronic drug addiction — the artist was miraculously able to reignite his career during the latter part of 1955. After several years of being out of the spotlight, Gordon resurfaced on the Big Apple-based indie Bethlehem imprint with the half-dozen sides that comprise Daddy Plays the Horn (1956). Joining him as key constituents of the credited Dexter Gordon Quartet are Kenny Drew (piano), Leroy Vinnegar (bass), and Larry Marable (drums). Although the support team provides Gordon top-notch contributions throughout, it is unquestionably Drew who offers the most in terms of active interaction and his prominence can not be overstated. Nowhere is that as noticeable as the good-natured interaction heard on the disc's opener, the Gordon-penned title composition 'Daddy Plays the Horn.' In fact it could be argued that Drew enhances the tenor to the point of practically being a co-leader.\u003c\/p\u003e\n\u003cp\u003e\"The update of Charlie 'Bird' Parker's bop standard \"Confirmation\" is taken at a steady mid-tempo pace, allowing plenty of room for the participants to have their say and not get in the way of the melody. Gordon seems considerably more relaxed and comfortable as he spreads line upon line of inspired improvisation. Drew is once again a real treat to hear briefly taking charge of the rhythm section. The pair of ballads on Daddy Plays the Horn are nothing short of stellar and stand as simple, emotive expressions unto themselves. 'Darn That Dream' embraces the warmth of Gordon's tenor as his sensual phrasing leaves just enough space for Drew to sonically bridge the gap with his own unhurried and stylish chords. The generically monikered 'Number Four' is anything but ordinary.\" — All Music Guide\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44436622180452,"sku":"VRIC002","price":3699.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/71LC8yck6AL._SX425.jpg?v=1753469854"},{"product_id":"sonny-clark-cool-struttin","title":"SONNY CLARK - COOL STRUTTIN","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=UiidZPQ9G2g\u0026amp;list=OLAK5uy_kiQrlTsACcqqqK7mceaGK7-BPrlK5frdQ\" rel=\"noopener\" target=\"_blank\"\u003eCool Struttin'\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=_7bSIM_XbQQ\u0026amp;list=OLAK5uy_kiQrlTsACcqqqK7mceaGK7-BPrlK5frdQ\u0026amp;index=2\" rel=\"noopener\" target=\"_blank\"\u003eBlue Minor\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Lt1Z-wgq83A\u0026amp;list=OLAK5uy_kiQrlTsACcqqqK7mceaGK7-BPrlK5frdQ\u0026amp;index=3\" rel=\"noopener\" target=\"_blank\"\u003eSippin' At Bells\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=498dj8x-QoY\u0026amp;list=OLAK5uy_kiQrlTsACcqqqK7mceaGK7-BPrlK5frdQ\u0026amp;index=4\"\u003eDeep Night\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlue Note Classic Vinyl Edition on 180-gram LP\u003c\/p\u003e\n\u003cp\u003eSonny Clark was the quintessential hard bop pianist. Possessed of a lyrical flow and inventive melodic ideas, he had a deeply rooted feeling for the blues. It was in 1958 that Clark arrived at his masterwork, Cool Struttin', recorded with a quintet featuring Art Farmer, Jackie McLean, Paul Chambers, and `Philly' Joe Jones. The album has only grown in stature since his premature death at age 31 in 1963.\u003c\/p\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Reissue Series edition is 180-gram all-analog, mastered from the original tapes.\u003c\/p\u003e\n\u003cp\u003eMusicians:\u003cbr\u003eSonny Clark, piano\u003cbr\u003eArt Farmer, trumpet\u003cbr\u003eJackie McLean, alto saxophone\u003cbr\u003ePaul Chambers, bass\u003cbr\u003ePhilly Joe Jones, drums\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44436648099940,"sku":"VRIC003","price":3900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/CoolStruttin.jpg?v=1738923479"},{"product_id":"sonny-rollins-on-impulse","title":"SONNY ROLLINS - ON IMPULSE","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=xIu2DVruLDE\u0026amp;list=PLMafVCKflKSFKY6VzGTGExqzFBUNIMUFM\" rel=\"noopener\" target=\"_blank\"\u003eOn Green Dolphin Street\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=8heCC-QP8mY\u0026amp;list=PLMafVCKflKSFKY6VzGTGExqzFBUNIMUFM\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eEverything Happens To Me\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=pdJmYKXWkqw\u0026amp;list=PLMafVCKflKSFKY6VzGTGExqzFBUNIMUFM\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eHold 'Em Joe\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=A8YymTAPj2k\u0026amp;list=PLMafVCKflKSFKY6VzGTGExqzFBUNIMUFM\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eBlue Room\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Fu6EFWEGWtk\u0026amp;list=PLMafVCKflKSFKY6VzGTGExqzFBUNIMUFM\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eThree Little Words\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"If anything, Sonny Rollins on Impulse! feels as if it were a recording Rollins had to get out of his system. But thank goodness for us because it's a winner through and through.\" — AllMusic\u003c\/p\u003e\n\u003cp\u003eSeeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\u003c\/p\u003e\n\u003cp\u003eIn 1965 and 1966, tenor giant Sonny Rollins issued three albums for the Impulse! label. They were his last until 1972 when he re-emerged from a self-imposed retirement. Here on this July 8, 1965 date, Rollins attacks five standards with a quartet that included pianist Ray Bryant, bassist Walter Booker and drummer Mickey Roker.\u003c\/p\u003e\n\u003cp\u003eRollins digs deeply into pulse and rhythm, leaving melody to take care of itself. AllMusic says \"This is not a 'new thing' date but instead focuses on playing according to the dictates of the rhythm section and on interchanging with Booker and Roker, leaving much of the melodic aspect of these tunes to Bryant. Rollins could never quite leave the melody out of anything he played because of his intense gift as a lyrical improviser; he nonetheless stripped his approach back and played tunes like 'On Green Dolphin Street' by improvising according to theme rather than strict melody, where his interplay with the rhythm section becomes based on the dynamic and shifting times played by Roker. While things are more intimate and straight on 'Everything Happens to Me,' he nonetheless plays the edges, filling the space like a drummer. Melody happens throughout, the tune is recognizable, but it is stretched in his solo to a theme set by the shimmering cymbals and brushed snare work of Roker. The oddest cuts in the set are the last two; spaced out readings of 'Blue Room,' and 'Three Little Words'; they sound as if he were preparing the listener for a true change in his approach.\u003c\/p\u003e\n\u003cp\u003e\"Melody gets inverted, with spaces and syncopation taking the place of notes. The swing is inherent in everything here, but it's clear that the saxophonist was hearing something else in his head, the way he squeezes notes tightly into some phrases where they might be placed elsewhere, and substitutes small, lithe lines inside Bryant's solos which dictate the harmonic intervals more conventionally with his singing approach. And speaking of rhythm, the album's hinge piece is the burning calypso 'Hold \"Em Joe.' Here again, as Bryant's changes play it straight, Rollins shoves his horn inside them and draws out the beat on his horn over and over again.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44436821573732,"sku":"VRIC004","price":3999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/SonnyRollins-OnImpulse.jpg?v=1738923586"},{"product_id":"oscar-peterson-trio-we-get-requests","title":"OSCAR PETERSON TRIO - WE GET REQUESTS","description":"\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE 1 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=rnXOo1yM5MA\u0026amp;list=PLa1rC97wRkZjkLnoy0Qen9LfF9inEZCWL\" target=\"_blank\" rel=\"noopener\"\u003eQuiet Nights Of Quiet Stars (Corcovado) \u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=SjJzM3Mp9fs\u0026amp;list=PLa1rC97wRkZjkLnoy0Qen9LfF9inEZCWL\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eThe Days Of Wine And Roses \u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=bbhXdgrAWtA\u0026amp;list=PLa1rC97wRkZjkLnoy0Qen9LfF9inEZCWL\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eMy One And Only Love\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Bg4fltnhX_Q\u0026amp;list=PLa1rC97wRkZjkLnoy0Qen9LfF9inEZCWL\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003ePeople\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=0gjUhFbp3XE\u0026amp;list=PLa1rC97wRkZjkLnoy0Qen9LfF9inEZCWL\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eHave You Met Miss Jones? \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE 2 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=0dEnZSd7O2w\u0026amp;list=PLa1rC97wRkZjkLnoy0Qen9LfF9inEZCWL\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eYou Look Good To Me\u003c\/a\u003e \u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=55qFfWIMmak\u0026amp;list=PLa1rC97wRkZjkLnoy0Qen9LfF9inEZCWL\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eThe Girl From Ipanema \u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=i3HVDLMKF20\u0026amp;list=PLa1rC97wRkZjkLnoy0Qen9LfF9inEZCWL\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eD. \u0026amp; E. \u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=k96SD1G0C50\u0026amp;list=PLa1rC97wRkZjkLnoy0Qen9LfF9inEZCWL\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eTime And Again \u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=TbAECZHxiCY\u0026amp;list=PLa1rC97wRkZjkLnoy0Qen9LfF9inEZCWL\u0026amp;index=10\" target=\"_blank\" rel=\"noopener\"\u003eGoodbye J.D. \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReleased in 1964, We Get Requests was Oscar Peterson's last album from his fourteen-­year collaboration with the Verve label. It features the pianist leading what was perhaps his greatest trio ever, with bassist Ray Brown and drummer Ed Thigpen. It's generally agreed that We Get Requests is one of the technically best-recorded jazz-trio discs in the catalog, and as such it's usually employed in audiophile set demonstrations, especially the song \"You Look Good to Me,\" on which the interplay between the piano, bass and drums is really outstanding. The album also contains several perennial hits, such as Antonio Carlos Jobim's \"The Girl From lpanema\" and \"Corcovado\", Henry Mancini's \"The Days of Wine and Roses\", and the Jule Styne-Bob Merrill classic \"People\" (from the 1964 Broadway musical Funny Girt that was first popularized by Barbra Streisand). Although a few 1965 recordings (such as Exclusively For My Friends- The Lost Tapes) surfaced several decades later, We Get Requests marked the last official studio album released in its time by this classic formation of the Oscar Peterson Trio. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCredits:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDirector of Engineering: Val Valentin \u003cbr\u003eRecording Engineer: Bob Simpson \u003cbr\u003eProduced by  JIM DAVIS\u003c\/p\u003e\n\u003cp\u003eRelease date - March 24th, 2023 (originally released on Verve Records in 1964)\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44436969291876,"sku":"VRIC005","price":3900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/TheOscarPetersonTrio-WeGetRequests.jpg?v=1738923663"},{"product_id":"ben-webster-gentle-ben","title":"BEN WEBSTER - GENTLE BEN","description":"\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eSide 1\u003c\/strong\u003e\u003cbr\u003e 1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=mFFnnA4quNM\u0026amp;list=PLwq1aoitizhecj4MUfBhSzkyfSbhbjES_\" target=\"_blank\" rel=\"noopener\"\u003eBen’s Blues\u003c\/a\u003e\u003cbr\u003e 2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=OdIlkejSYnw\u0026amp;list=PLwq1aoitizhecj4MUfBhSzkyfSbhbjES_\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eThe Man I Love\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eSide 2\u003c\/strong\u003e\u003cbr\u003e 1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=J7dhHLq-fS4\u0026amp;list=PLwq1aoitizhecj4MUfBhSzkyfSbhbjES_\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eMy Nephew Bent\u003c\/a\u003e\u003cbr\u003e 2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=2c_P1-m0ThQ\u0026amp;list=PLwq1aoitizhecj4MUfBhSzkyfSbhbjES_\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eHow Long This Has Been Going On\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eSide 3\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=3lyAGEwn2jE\u0026amp;list=PLwq1aoitizhecj4MUfBhSzkyfSbhbjES_\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eSweet Georgia Brown\u003c\/a\u003e\u003cbr\u003e 2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=g8N0f0IyaQ0\u0026amp;list=PLwq1aoitizhecj4MUfBhSzkyfSbhbjES_\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eDon’t Blame Me\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eSide 4\u003c\/strong\u003e\u003cbr\u003e 1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=6IyQH6TT2Fw\u0026amp;list=PLwq1aoitizhecj4MUfBhSzkyfSbhbjES_\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eDid You Call\u003c\/a\u003e\u003cbr\u003e 2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=HN50CBnhyuE\u0026amp;list=PLwq1aoitizhecj4MUfBhSzkyfSbhbjES_\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eBarcelona Shout\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“…Webster’s trademark sensual sound is on full display and, of course, he’s backed by Montoliu, an outstanding Spanish piano veteran who accompanied all the great jazz artists passing through Europe…This is one of the first releases by Analogue Productions pressed at their new in-house pressing plant Quality Record Pressings, and the record bears a close resemblance in appearance to records from Pallas – beautiful looking and perfectly quiet…The superb 200-gram LP comes in a rice paper sleeve and jacket of heavy cardboard…Highest Recommendation.” Recording = 10\/10; Music = 8.5\/10 — Dennis D. Davis, Hi-Fi+, Issue 81\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis recording was made 10 months before Ben Webster’s death in 1972. Webster, who had left the United States in 1965 to settle in Europe — first in Copenhagen and then in Amsterdam — was visiting fellow musician and friend Tete Montoliu in Barcelona. Webster and pianist Montoliu went back a ways, having played together regularly in Webster’s Copenhagen days. In fact, Montoliu cited Webster and Don Byas as his two chief musical influences. Webster and Montoliu understood each other deeply, and their comfort with on another is palpable in this recording. Their accompaniment of one another is seamless. On board with these two is Montoliu’s regular working trio-mates, Eric Peter on bass and Peer Wyboris on drums.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44436982693988,"sku":"VRIC006","price":9800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/AAPJ_040-45__114908__02142020124109-2429_dd4acfd3-8dff-49a8-a5a4-a056c74fe32a.jpg?v=1753469939"},{"product_id":"coleman-howkins-encounters-ben-webster","title":"COLEMAN HOWKINS ENCOUNTERS BEN WEBSTER","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=RtuGTRO6YZM\u0026amp;list=PLDl_DFGb0oNU7lUWsgiFwCdSzOzmu15Bo\" target=\"_blank\" rel=\"noopener\"\u003eBlues for Yolande\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Ei5iaoaXQqk\u0026amp;list=PLDl_DFGb0oNU7lUWsgiFwCdSzOzmu15Bo\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eIt Never Entered My Mind\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=GJccXOuvM80\u0026amp;list=PLDl_DFGb0oNU7lUWsgiFwCdSzOzmu15Bo\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eLa Rosita\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=feGsETQ1mR0\u0026amp;list=PLDl_DFGb0oNU7lUWsgiFwCdSzOzmu15Bo\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eYou's Be So Nice to Come Home To\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=rq0irBjosFg\u0026amp;list=PLDl_DFGb0oNU7lUWsgiFwCdSzOzmu15Bo\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003ePrisoner of Love\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=KDh99d0NkYw\u0026amp;list=PLDl_DFGb0oNU7lUWsgiFwCdSzOzmu15Bo\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eTangerine\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=xFaNWBoJCUg\u0026amp;list=PLDl_DFGb0oNU7lUWsgiFwCdSzOzmu15Bo\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eShine On Harvest Moon\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. The DSD was sourced from the PCM. George listened to all of the different A\/D converters he had before he chose which to use, and he felt the George Massenburg GML 20 bit A\/D produced the best and most synergistic sound for the project.\u003c\/p\u003e\n\u003cp\u003eAs critic Nat Hentoff makes clear, Coleman Hawkins and Ben Webster were larger than life. Formidable, even forbidding presences, they revealed a depth of feeling in their playing that spoke of their vast life experiences, as great writers or painters speak through their work.\u003c\/p\u003e\n\u003cp\u003eRecorded in 1957.\u003c\/p\u003e\n\u003cp\u003eColeman Hawkins, tenor saxophone\u003cbr\u003eBen Webster, tenor saxophone\u003cbr\u003eRay Brown, bass\u003cbr\u003eHerb Ellis, guitar\u003cbr\u003eOscar Peterson, piano\u003cbr\u003eAlvin Stoller, drums\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437733998692,"sku":"VRIC007","price":4400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/AVER_37701__175790__01272023115618-6790_05e62de1-0a1b-43d4-bd21-da087f1516ef.jpg?v=1753470150"},{"product_id":"ben-webster-meets-oscar-peterson","title":"BEN WEBSTER MEETS OSCAR PETERSON","description":"\u003cp\u003e\u003cstrong\u003eTRACKS:\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=IphIHPRn37I\u0026amp;list=PLFnop3a6uAsCGLk0dG2k7ijBoDeu2NXaD\" target=\"_blank\" rel=\"noopener\"\u003eTHE TOUCH OF YOUR LIPS\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=lE2vpFWewEs\u0026amp;list=PLFnop3a6uAsCGLk0dG2k7ijBoDeu2NXaD\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eWHEN YOUR LOVER HAS GONE\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=222T7wpNnII\u0026amp;list=PLFnop3a6uAsCGLk0dG2k7ijBoDeu2NXaD\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eBYE BYE BLACKBIRD\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=bj4U5TVV1v0\u0026amp;list=PLFnop3a6uAsCGLk0dG2k7ijBoDeu2NXaD\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eHOW DEEP IS THE OCEAN?\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=dxkmkLbBRz4\u0026amp;list=PLFnop3a6uAsCGLk0dG2k7ijBoDeu2NXaD\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eIN THE WEE SMALL HOURS OF THE MORNING\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Xl60fIV22PI\u0026amp;list=PLFnop3a6uAsCGLk0dG2k7ijBoDeu2NXaD\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eSUNDAY\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=4TQZK2YdYFI\u0026amp;list=PLFnop3a6uAsCGLk0dG2k7ijBoDeu2NXaD\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eTHIS CAN’T BE LOVE\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBen Webster was, without a doubt, one of the most important and influential tenor saxophonists in jazz. \"Ben Webster Meets Oscar Peterson\" (Verve MGV-8349) features some of his finest collaborations with Oscar Peterson, who the tenor saxophonist often stated was his favorite accompanist. Their previous album together, Soulville (Verve MGV-8274), has been added here in its entirety as a bonus. Webster was a true master playing ballads, and these albums contain some of his best interpretations in the genre.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437738848356,"sku":"VRIC008","price":8800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/AVRJ_6114-45__67253__06292011093542-5545.jpg?v=1753470410"},{"product_id":"ben-webster-storyville-remasters","title":"BEN WEBSTER - PLAYS BALLADS","description":"\u003cp\u003e\u003cstrong\u003eTrack:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 1\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=NCJ43YOiUD4\u0026amp;list=PLb5oAvw7DV7UjqKqcA3Fmft12RFXO0S_5\" target=\"_blank\" rel=\"noopener\"\u003eSoulville\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=IV6dW3aGGes\u0026amp;list=PLb5oAvw7DV7UjqKqcA3Fmft12RFXO0S_5\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eLate Date\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=0Fed3TZkFqY\u0026amp;list=PLb5oAvw7DV7UjqKqcA3Fmft12RFXO0S_5\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eTime On My Hands\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 2\u003c\/strong\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=klRRQYFmZ7I\u0026amp;list=PLb5oAvw7DV7UjqKqcA3Fmft12RFXO0S_5\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eLover Come Back To Me\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=3cRFVpItEPY\u0026amp;list=PLb5oAvw7DV7UjqKqcA3Fmft12RFXO0S_5\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eWhere Are You\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=U65K6I-5sew\u0026amp;list=PLb5oAvw7DV7UjqKqcA3Fmft12RFXO0S_5\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eMakin’ Whoopee\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=vz_Ba6niwB4\u0026amp;list=PLb5oAvw7DV7UjqKqcA3Fmft12RFXO0S_5\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eIll Wind\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNew for 2024!\u003c\/p\u003e\n\u003cp\u003eBen Webster's Soulville (Mono)\u003c\/p\u003e\n\u003cp\u003eAcoustic Sounds Series reissues from Verve\/Universal Music Enterprises!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMonthly releases highlighting the world's most historic and best jazz records!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMastered by Ryan K. Smith at Sterling Sound from the original analog tapes\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e180-gram LPs pressed at Quality Record Pressings!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eStoughton Printing gatefold old-style tip-on jackets\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSeries supervised by Chad Kassem CEO of Acoustic Sounds\u003c\/p\u003e\n\u003cp\u003e\"This is a gorgeous reissue of a gorgeous recording that is very hard to find in its original 1958 pressing. Teaming saxophonist Ben Webster with pianist Oscar Peterson was a stroke of production genius for the times. A sweet, swinging, and even sometimes bluesy session, Soulville is a relative bargain, an essential release for Webster aficionados or simply fans of rich, buttery tenor sax sounds in general. True to form, this Acoustic Sounds Series reissue is arguably much nicer and better-sounding than the original editions, presented in a lavish tip-on laminated gatefold cover (with lovely new pictures inside) and pressed on 180g dark black well-centered vinyl at Quality Record Pressing (QRP). This new Soulville is a gem.\" — Mark Smotroff, AnalogPlanet's Top LPs of 2024, Dec. 20, 2024. Read the entire review here.\u003c\/p\u003e\n\u003cp\u003e\"...enjoy the laminated 'Tip on' gatefold jacket and the two inner gatefold Burt Goldblatt Webster photos. Analogue Productions released this on a double 45rpm reissue 11 years ago (seems like yesterday) and its somewhat mellower sound works well with the material. The new 33 1\/3 offers greater transient detail and image relief and you can remain seated. Unless getting up is now an issue, if you have the double 45 you're set.\" — Music = 9\/11; Sound = 9\/11 — Michael Fremer, TrackingAngle.com. Read the whole review here.\u003c\/p\u003e\n\u003cp\u003eSoulville is quintessential Ben Webster: intimate, tender, endlessly expressive. Webster was internationally recognized as one of jazz's elder statesman when he recorded this album in 1957, but the youthful fire that had marked his playing with the Duke Ellington Orchestra two decades earlier was undiminished.\u003c\/p\u003e\n\u003cp\u003eSoulville is easily the best of his albums for Verve, with Webster's breathy tones given a fitting accompaniment by Oscar Peterson and his group, then including bassist Ray Brown, guitarist Herb Ellis, and understated drummer Stan Levy. Leading this stellar combo through a program consisting mostly of vintage pop tunes, the great tenor saxophonist is at his peak. Versions of \"Lover Come Back To Me\" and \"Makin' Whoopee\" sound excellent, but bluesy originals such as \"Last Date\" and the title track are truly outstanding. A quality set from start to finish.\u003c\/p\u003e\n\u003cp\u003eSeeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437743992932,"sku":"VRIC009","price":3600.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/ASTO_7007__140340__12192018125157-5137.jpg?v=1738775711"},{"product_id":"ben-webster-the-soul-of-ben-webster","title":"BEN WEBSTER - THE SOUL OF BEN WEBSTER","description":"\u003cp\u003e\u003cstrong\u003eTRACKS:\u003c\/strong\u003e\u003cbr\u003e01. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=sZxJNwa2r9s\u0026amp;list=OLAK5uy_m_pXwgUV19k0imkzJh5GMZTpUeUIgOSBQ\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eFajista\u003c\/a\u003e\u003cbr\u003e02. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=rSbG3JuhLUU\u0026amp;list=OLAK5uy_m_pXwgUV19k0imkzJh5GMZTpUeUIgOSBQ\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eChelsea Bridge\u003c\/a\u003e\u003cbr\u003e03. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=l79omN7dCpw\u0026amp;list=OLAK5uy_m_pXwgUV19k0imkzJh5GMZTpUeUIgOSBQ\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eCharlotte’s Piccolo\u003c\/a\u003e\u003cbr\u003e04. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=HQAjQ_bZnxQ\u0026amp;list=OLAK5uy_m_pXwgUV19k0imkzJh5GMZTpUeUIgOSBQ\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eCoal Train\u003c\/a\u003e\u003cbr\u003e05. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=7CVzF8yeAZo\u0026amp;list=OLAK5uy_m_pXwgUV19k0imkzJh5GMZTpUeUIgOSBQ\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eWhen I Fall in Love\u003c\/a\u003e\u003cbr\u003e06. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=usX0DIvCw8I\u0026amp;list=OLAK5uy_m_pXwgUV19k0imkzJh5GMZTpUeUIgOSBQ\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eEv’s Mad\u003c\/a\u003e\u003cbr\u003e07. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=khY2hGbPWNQ\u0026amp;list=OLAK5uy_m_pXwgUV19k0imkzJh5GMZTpUeUIgOSBQ\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eAsh\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Soul of Ben Webster (Verve Records MGVS6124) was one of only two collaborations between Webster and trumpeter Art Farmer (the other one was an album led by guitarist Mundell Lowe –who also plays here– with selections from Gershwin’s Porgy and Bess recorded the same month as the present LP). Although both Webster and Harold Ashby were long-time members of the Duke Ellington band, this is their only existing recording together.\u003c\/p\u003e\n\u003cp\u003eTwo complete sessions featuring Webster with pianist Teddy Wilson, as well as a 1954 reading of Billy Strayhorn’s wonderful ballad “Chelsea Bridge” (also included on The Soul of Ben Webster) have been added as a bonus.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437754544228,"sku":"VRIC010","price":9999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/AVRJ_6124-45__67260__10162013114559-5580.jpg?v=1753469605"},{"product_id":"gerry-mulligan-night-lights","title":"GERRY MULLIGAN - NIGHT LIGHTS","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Wf02V8AtMag\u0026amp;list=PLDCdjwiC90THpEsxY5fINNX24BJH3p66P\" target=\"_blank\" rel=\"noopener\"\u003eNight Lights\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=VfyewZElFG8\u0026amp;list=PLDCdjwiC90THpEsxY5fINNX24BJH3p66P\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eMorning Of The Carnival From \"Black Orpheus\"\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=RUYypttogTI\u0026amp;list=PLDCdjwiC90THpEsxY5fINNX24BJH3p66P\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eWee Small Hours\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=4ntWWtCmZ2E\u0026amp;list=PLDCdjwiC90THpEsxY5fINNX24BJH3p66P\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003ePrelude In E Minor\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=E0ekgBU5XdA\u0026amp;list=PLDCdjwiC90THpEsxY5fINNX24BJH3p66P\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eFestive Minor\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=E6N6k70t9dU\u0026amp;list=PLDCdjwiC90THpEsxY5fINNX24BJH3p66P\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eTell Me When\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNight Lights is a captivating jazz masterwork from the incredible Gerry Mulligan catalog. Originally released in 1963, this captivating album showcases Mulligan's baritone sax talents as a true icon of jazz, and a prominent musical force on the West Coast scene through the 1950s until his death in 1996. Voted No. 1 musician in his instrument by Downbeat Magazine for 42 years in a row, Mulligan was on the front line of what was hip, from periods in the Birth Of The Cool era Miles Davis lineup as well as forming a piano-less quartet with Chet Baker.\u003c\/p\u003e\n\u003cp\u003eThe album's striking Oliver Hardimon-designed cover shimmers with a late-night beauty that perfectly evokes a sophisticated New York City in the early 1960s. Gerry and his sextet fuse slow burning jazz noir alongside emerging, contemporary Brazilian rhythms with the interplay between Mulligan and guitarist Jim Hall a particular standout throughout. Title track \"Night Lights\" is a wonderfully smooth, low light tune, while the Latin tinged \"Morning Of The Carnival\" really finds the band in their finest and most swinging form. A cover of jazz standard \"In The Wee Small Hours Of The Morning\" followed by Chopin's \"Prelude In E Minor\" continues the delightful groove before we finish out with Mulligan originals \"Festival Minor\" and \"Tell Me When.\"\u003c\/p\u003e\n\u003cp\u003eSeeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\u003c\/p\u003e\n\u003cp\u003eRecorded at New York's Nola Penthouse Studios in 1963.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":44437864972388,"sku":"VRIC011","price":4200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/APHI_501836__185344__02022024115345-6597_7a03b44f-565a-44c3-b3a8-d65cc9d3669b.jpg?v=1753471123"},{"product_id":"gerry-mulligan-meets-ben-webster","title":"GERRY MULLIGAN MEETS BEN WEBSTER","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=XWfaAjfA6yI\u0026amp;list=OLAK5uy_n0f864yEqe0pIIsc3vImaAY5HgXjRxkB8\u0026amp;index=1\" target=\"_blank\" rel=\"noopener\"\u003eChelsea Bridge\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=2pO5axoctoQ\u0026amp;list=OLAK5uy_n0f864yEqe0pIIsc3vImaAY5HgXjRxkB8\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eThe Cat Walk\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=hxFt7J0HieA\u0026amp;list=OLAK5uy_n0f864yEqe0pIIsc3vImaAY5HgXjRxkB8\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eSunday\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=soZsxAOc9rI\u0026amp;list=OLAK5uy_n0f864yEqe0pIIsc3vImaAY5HgXjRxkB8\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eWho's Got Rhythm\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=k4LmQEaZ3dM\u0026amp;list=OLAK5uy_n0f864yEqe0pIIsc3vImaAY5HgXjRxkB8\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eTell Me When\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Yp1VjBcCkwo\u0026amp;list=OLAK5uy_n0f864yEqe0pIIsc3vImaAY5HgXjRxkB8\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eGo Home\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGerry Mulligan Meets Ben Webster was just one of many \"meets\" albums that Gerry Mulligan appeared on during the period when this classic was recorded — Nov. 3 and Dec. 2, 1959, in Los Angeles. Mulligan and Pepper Adams were the baritone saxophonists during the golden age of modern jazz, both masters of the unwieldy and deep-toned instrument.\u003c\/p\u003e\n\u003cp\u003eHistory was made here, as was a classic record for the ages. Mulligan was an innovator of the west coast cool jazz style who flourished playing with all manner of jazz musicians. The tunes he and Webster recorded are smooth, lush and emotional, driven along by a rhythm section that swings with just the right amount of bop. The result is an album that's included among NPR's \"Basic Jazz Record Library.\"\u003c\/p\u003e\n\u003cp\u003eSeeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437875753060,"sku":"VRIC012","price":2935.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/AVER_512459__185355__07292024093257-2413.jpg?v=1738777259"},{"product_id":"miles-davis-porgy-and-bess","title":"MILES DAVIS - PORGY AND BESS","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=5KiTEJWGflY\u0026amp;list=PLRb7n8EDckX5rSK7zqFRUsMochK0eaBd0\" target=\"_blank\" rel=\"noopener\"\u003eThe Buzzard Song\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=c1ZsstxvMCE\u0026amp;list=PLRb7n8EDckX5rSK7zqFRUsMochK0eaBd0\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eBess, You Is My Woman Now\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=SosCIFyrRH4\u0026amp;list=PLRb7n8EDckX5rSK7zqFRUsMochK0eaBd0\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eGone\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=XrQvihrNWJ4\u0026amp;list=PLRb7n8EDckX5rSK7zqFRUsMochK0eaBd0\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eGone, Gone, Gone\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=VI2mfjwnRvE\u0026amp;list=PLRb7n8EDckX5rSK7zqFRUsMochK0eaBd0\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eSummertime\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=5ZOi8CjmpiY\u0026amp;list=PLRb7n8EDckX5rSK7zqFRUsMochK0eaBd0\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eOh Bess, Oh Where's My Bess\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=3CgLimyuhAo\u0026amp;list=PLRb7n8EDckX5rSK7zqFRUsMochK0eaBd0\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003ePrayer (Oh Doctor Jesus)\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=YWOaDI_f5zc\u0026amp;list=PLRb7n8EDckX5rSK7zqFRUsMochK0eaBd0\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eFisherman, Strawberry and Devil Crab\u003c\/a\u003e\u003cbr\u003e9. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=LyZwSC1JUPU\u0026amp;list=PLRb7n8EDckX5rSK7zqFRUsMochK0eaBd0\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eMy Man's Gone Now\u003c\/a\u003e\u003cbr\u003e10. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=V96bYcS5JzU\u0026amp;list=PLRb7n8EDckX5rSK7zqFRUsMochK0eaBd0\u0026amp;index=10\" target=\"_blank\" rel=\"noopener\"\u003eIt Ain't Necessarily So\u003c\/a\u003e\u003cbr\u003e11. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=IGMPKeQ2Uao\u0026amp;list=PLRb7n8EDckX5rSK7zqFRUsMochK0eaBd0\u0026amp;index=11\" target=\"_blank\" rel=\"noopener\"\u003eHere Come De Honey Man\u003c\/a\u003e\u003cbr\u003e12. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=xMVhLEFhgKU\u0026amp;list=PLRb7n8EDckX5rSK7zqFRUsMochK0eaBd0\u0026amp;index=12\" target=\"_blank\" rel=\"noopener\"\u003eI Loves You Porgy\u003c\/a\u003e\u003cbr\u003e13. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=YnOCl9PE-Gw\u0026amp;list=PLRb7n8EDckX5rSK7zqFRUsMochK0eaBd0\u0026amp;index=13\" target=\"_blank\" rel=\"noopener\"\u003eThere's a Boat That's Leaving Soon for New York\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMiles' and Gil Evans' legendary interpretation of the Gershwin opera, originally released in 1958 on the Columbia label, a division of Sony Entertainment. Take George Gershwin's \"Porgy \u0026amp; Bess,\" add Miles Davis and arranger Gil Evans, and what do you get? A classic jazz album that — despite the fact that the material has been rendered almost overly familiar due to countless interpretations — still sounds remarkably fresh four decades after its initial release. Miles' soft yet piercing trumpet style is perfectly suited to Gershwin's melancholy melodies, Evans' musical direction of his 18-piece orchestra is impeccable, and their version of \"Summertime\" may well be the finest ever waxed. Davis and Evans teamed up for several recordings after this one (including the landmark Sketches of Spain), but \"Porgy \u0026amp; Bess\" still stands as one of their most successful collaborations. \u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437895610468,"sku":"VRIC014","price":3999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/ACOL_40757__87593__11262012103009-539.jpg?v=1754115500"},{"product_id":"miles-davis-ascenseur-pour-lechafaud","title":"MILES DAVIS - ASCENSEUR POUR L'ECHAFAUD","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A:\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=em0LbTF1fpg\u0026amp;list=PLL-NbN8uTOiglxt12oVAdZK9-rAXAxUGM\" target=\"_blank\" rel=\"noopener\"\u003eGenerique\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=2BNSoMbADX8\u0026amp;list=PLL-NbN8uTOiglxt12oVAdZK9-rAXAxUGM\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eL’assassinat de Carala\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=5PtIZ0cU4S0\u0026amp;list=PLL-NbN8uTOiglxt12oVAdZK9-rAXAxUGM\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eSur l’autoroute\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=LcgG2zav0CQ\u0026amp;list=PLL-NbN8uTOiglxt12oVAdZK9-rAXAxUGM\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eJulien dans l’ascenseur\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=0rTB19ZdZLU\u0026amp;list=PLL-NbN8uTOiglxt12oVAdZK9-rAXAxUGM\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eFlorence sur les Champs-Elysees\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B:\u003c\/strong\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=GXNJdRfEBEQ\u0026amp;list=PLL-NbN8uTOiglxt12oVAdZK9-rAXAxUGM\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eDiner au motel\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=LsxF8sCui_w\u0026amp;list=PLL-NbN8uTOiglxt12oVAdZK9-rAXAxUGM\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eEvasion de Julien\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=IjGtVjR8wKY\u0026amp;list=PLL-NbN8uTOiglxt12oVAdZK9-rAXAxUGM\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eVisite du vigile\u003c\/a\u003e\u003cbr\u003e9. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=3wMVD0M_D_E\u0026amp;list=PLL-NbN8uTOiglxt12oVAdZK9-rAXAxUGM\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eAu bar du petit bac\u003c\/a\u003e\u003cbr\u003e10. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=PSvluH8giwQ\u0026amp;list=PLL-NbN8uTOiglxt12oVAdZK9-rAXAxUGM\u0026amp;index=10\" target=\"_blank\" rel=\"noopener\"\u003eChez le photographe du motel\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"There is something more satisfying and historically complete to having a superbly reproduced version of the original document and that is what Sam Records provides in its commendably completist style that includes a laminated 'fold-over' cover, outstanding cover photo reproduction and as a bonus, a black and whilte matte finish photo of Miles in Paris 1957 by Gérard Landau. More importantly, the mono sonics on this evocative soundtrack, where your mind can almost accurately conjure up the \"noir-ish\" happenings on screen (involving, among other action, an illicit love affair and a murder), are transparent and precise.\" — Music = 10\/11; Sound = 10\/11 — Michael Fremer, AnalogPlanet.com. Read the whole review here.\u003c\/p\u003e\n\u003cp\u003ePerformed by a Miles Davis-fronted European band for a movie by Louis Malle (translation: \"The Lift to the Scaffold\"). This reissue LP, originally recorded on December 4-5, 1957, has an elegant, romantic air to it.\u003c\/p\u003e\n\u003cp\u003eIn the company of such French jazzmen as Pierre Michelot and tenor saxophonist Barney Wilen, this soundtrack is something of a throwback to the feel of Miles' early '50s Blue Note recordings with drummer Kenny Clarke.\u003c\/p\u003e\n\u003cp\u003eRarely has Miles' open tone been more poignant, and that bittersweet quality probably owes something to Miles' ongoing affair with the film's leading lady, Jeanne Moreau.\u003c\/p\u003e\n\u003cp\u003e\"The melodies here are brief fragments, sometimes rising up only to disappear and then briefly return. This is Miles playing in the moment, improvising musical impressions as he watched the screen. And what he played managed to capture the era of postwar everywhere, while it offered Davis the freedom to test his on-the-spot compositional skills within a minimalist context. How many other beboppers who worked within the shadow of Charlie Parker could have ever recorded these little gems?\" — Amazon.com\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437906391140,"sku":"VRIC015","price":3999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/ASAM_013__116474__07062016124315-5459.jpg?v=1738777432"},{"product_id":"miles-davis-sketches-of-spain","title":"MILES DAVIS - SKETCHES OF SPAIN","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 1\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=x9AIWhoiK1A\u0026amp;list=PLMBlmXntszvZUqi1-_ENkIxZXKeeVTvtR\" rel=\"noopener\" target=\"_blank\"\u003eConcierto De Aranjuez\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=kMadfghagG4\u0026amp;list=PLMBlmXntszvZUqi1-_ENkIxZXKeeVTvtR\u0026amp;index=2\" rel=\"noopener\" target=\"_blank\"\u003eWill O' The Wisp\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 2\u003c\/strong\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Qgv1gr150Ec\u0026amp;list=PLMBlmXntszvZUqi1-_ENkIxZXKeeVTvtR\u0026amp;index=3\" rel=\"noopener\" target=\"_blank\"\u003eThe Pan Piper\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=506CcBaQCxA\u0026amp;list=PLMBlmXntszvZUqi1-_ENkIxZXKeeVTvtR\u0026amp;index=4\" rel=\"noopener\" target=\"_blank\"\u003eSaeta\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=SztWznujsLo\u0026amp;list=PLMBlmXntszvZUqi1-_ENkIxZXKeeVTvtR\u0026amp;index=5\" rel=\"noopener\" target=\"_blank\"\u003eSolea\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSketches of Spain, Miles’ third project with arranger Gil Evans, was the second in the one-two knockout punch that catapulted the trumpeter from the jazz world to mainstream adulation as the 1960s opened. The pinched, lonely sound he effected on his trumpet was the perfect fit for the traditional Spanish melodies interpreted by a well-rehearsed brass ensemble. The combination created a timeless tapestry of Iberian sounds, exotic and earthy, yet somehow familiar to American ears.\u003c\/p\u003e\n\u003cp\u003eIn his autobiography, Miles explained the paradox at the heart of Sketches of Spain. “You’ve got all those Arab music scales up in there, black African scales that you can hear. . . there was a little bit of the same thing, the same kind of voice that I played on the trumpet in “Solea” [on Sketches of Spain]. “Solea” is a basic form of flamenco . . . It’s close to the American black feeling in the blues. It comes from Andalusia, so it’s African-based.”\u003c\/p\u003e\n\u003cp\u003eThe roots of Sketches of Spain stretch from multiple sources: the “Flamenco Sketches” track from its immediate predecessor, Kind of Blue, which leaned heavily on the Iberian flavor of the Phrygian mode employed in the tune. There was help from inside Columbia Records: George Avakian, who produced Miles as well as an ethnic music series directed by legendary ethnomusicologist Alan Lomax, had previously provided Gil Evans with a set of Flamenco recordings with the hope that it might inspire the arranger. Miles himself credited the actress Beverly Bentley for turning him onto Joaquin Rodrigo’s “Concierto De Aranjuez”—as well as a flamenco concert to which his wife Frances Taylor had taken him. \u003c\/p\u003e\n\u003cp\u003eThe result was as majestic as it was mysterious. Evans took apart and reassembled the music like a master jeweler carefully crafting the perfect setting for the jewel that was Miles’ mature trumpet sound. Besides the adagio from “Concierto,” he borrowed “Will O’ The Wisp” (originally “Canción del fuego fatuo”) from Manuel de Falla’s gypsy ballet El Amor Brujo, and adapted three folk tunes originally recorded by Lomax: a Galician panpipe aria “The Pan Piper,” an Andalusian melody “Solea,” and the ritual chant “Saeta,” normally sung to the accompaniment of brass bands during Holy Week in Seville. \u003c\/p\u003e\n\u003cp\u003eThe sessions turned into a Herculean effort that lasted from November 1959 to March of the next year. Rehearsals followed rehearsals which led to take after take in the studio, with Evans exercising an exacting approach to every passage. At one point a tuba player kept delaying the process by listening to a ballgame on his portable radio; critic Nat Hentoff attended and chronicled for Stereo Review. Sketches was the extreme opposite of the spontaneous, one-take approach of Kind of Blue. The lightness of the former session, evident in Miles’ jovial studio chatter, disappeared when faced with Evans’ perfectionism, as well as that of the producer Teo Macero, helming a Davis session for the first time. \u003c\/p\u003e\n\u003cp\u003eAfter the last session of three ended in March 1960, Miles—who had not curtailed his touring, performing in and out of New York between the recording dates—recalled, “After we finished working on Sketches of Spain, I didn’t have nothing inside of me. I was drained of all emotion…” He had given his all and Sketches remains the enduring evidence of that effort. Small surprise that Davis did not return to the studio until 1961 for Columbia, nor that his next album would be a live recording, Friday Night at The Blackhawk. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437917925476,"sku":"VRIC016","price":3999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/AMOB_1375__79082__09272013101411-7123.jpg?v=1738777538"},{"product_id":"miles-davis-the-complete-birth-of-cool","title":"MILES DAVIS - THE COMPLETE BIRTH OF COOL","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=I9ik43_XsNU\u0026amp;list=PLJc9GisSQjejd6OkWy5ICjpDrYWTQaRps\" target=\"_blank\"\u003eMove\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=qH1x4ODEJo4\u0026amp;list=PLJc9GisSQjejd6OkWy5ICjpDrYWTQaRps\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eJeru\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=xLWTnzYjOwY\u0026amp;list=PLJc9GisSQjejd6OkWy5ICjpDrYWTQaRps\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eMoon Dreams\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=ApAv7hfkf40\u0026amp;list=PLJc9GisSQjejd6OkWy5ICjpDrYWTQaRps\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eVenus De Milo\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=Ij1RVSnJ37Q\u0026amp;list=PLJc9GisSQjejd6OkWy5ICjpDrYWTQaRps\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eBudo\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=ELH41tXT_ts\u0026amp;list=PLJc9GisSQjejd6OkWy5ICjpDrYWTQaRps\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eDeception\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=rj0W39jVJg8\u0026amp;list=PLJc9GisSQjejd6OkWy5ICjpDrYWTQaRps\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eGodchild\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=yD1vqbKTBrM\u0026amp;list=PLJc9GisSQjejd6OkWy5ICjpDrYWTQaRps\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eBoplicity\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=Y8_vARqOpGg\u0026amp;list=PLJc9GisSQjejd6OkWy5ICjpDrYWTQaRps\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eRocker\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=zmZXKQ0dBbI\u0026amp;list=PLJc9GisSQjejd6OkWy5ICjpDrYWTQaRps\u0026amp;index=10\" target=\"_blank\" rel=\"noopener\"\u003eIsrael\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=hWv9n2v6NFY\u0026amp;list=PLJc9GisSQjejd6OkWy5ICjpDrYWTQaRps\u0026amp;index=11\" target=\"_blank\" rel=\"noopener\"\u003eRouge\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=aun3GGYt02c\u0026amp;list=PLJc9GisSQjejd6OkWy5ICjpDrYWTQaRps\u0026amp;index=12\" target=\"_blank\" rel=\"noopener\"\u003eDarn that Dream\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eDescrition:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA modern-jazz touchstone that opened the door to the sleek introspection and sophisticated aplomb of 1950s cool jazz gets an exquisite and essential vinyl reissue.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“And right now, ladies and gentlemen, we bring you something new in modern music,” announces Symphony Sid Torin from the stage of the Royal Roost, a chicken shack turned bebop haunt on Broadway, near Times Square. “We bring you: Impressions in Modern Music, with the great Miles Davis and his wonderful new organization.”\u003c\/p\u003e\n\u003cp\u003eThis introduction opens Side 3 of The Complete Birth of the Cool, a deluxe vinyl reissue of a modern-jazz touchstone that opened the door to sleek introspection and sophisticated aplomb and, fairly or not, was credited with the boom in 1950s cool jazz.\u003c\/p\u003e\n\u003cp\u003eDavis was only 22 at the time of the Royal Roost gig. Best known as the trumpeter who’d bravely succeeded Dizzy Gillespie in the Charlie Parker Quintet, he had been workshopping a less mercurial, more chamberlike strain of bop in collaboration with the brilliant arranger Gil Evans. Their experiments in form and mood, fleshed out in Evans’ New York basement apartment on 55th Street, expanded on ideas that had gestated in the Claude Thornhill Orchestra before the war. Thornhill’s signature was a delicate blend of timbres, with soft projection and virtually no vibrato—a far cry from the regimental blare of a garden-variety big band. Evans, who arranged for the orchestra, famously described its effect: “The sound hung like a cloud.”\u003c\/p\u003e\n\u003cp\u003eThe unorthodox nonet that Davis brought to the Royal Roost in 1948—featuring bebop confreres like Max Roach (drums) and John Lewis (piano) as well as forward-thinking Thornhill alums like Lee Konitz (alto saxophone) and Gerry Mulligan (baritone saxophone)—did in fact represent “something new in modern music.” But as Symphony Sid’s next utterance implies, the ensemble wasn’t yet known by a catchy album title. Studio sessions for The Birth of the Cool were still months away, initiated by a Capitol Records producer, Pete Rugolo, who was persuaded by the gig. Those sessions would yield a series of 78-rpm sides in ’49 and ’50. The iconic moniker wouldn’t be attached to the project until a compilation album in 1957, touted on the LP jacket as “the classic recordings” that “launched a jazz era.”\u003c\/p\u003e\n\u003cp\u003eWhich is to say that The Complete Birth of the Cool is a repackaging of a repackaging, informed at every stage by a canny awareness of its own cachet. Seventy years since the studio recording of The Birth of the Cool, we’re equipped to understand that phrase as a signifier of aura and intention in Davis’ multifarious career. A documentary film by that name premiered at Sundance this year. It’s also the title of a new children’s book. To state the obvious, that earlier tag, Impressions in Modern Music, has a lot less mystique; The Birth of the Cool, timed to coincide with the rise of hi-fi systems and the word “cool” as a lifestyle, had a title intrinsic to its success.\u003c\/p\u003e\n\u003cp\u003eThe music itself is rightly considered a landmark and in this new edition, mastered from the analog session reels for the first time since ’57, its exquisite intricacies assume an almost tactile form. I’ve been listening closely to The Birth of the Cool for about as long as I’ve been listening to jazz. Hearing the new reissue on my turntable was a revelation: not so much a matter of “warmth,” as vinyl proponents often put it, but rather a function of spatial clarity.\u003c\/p\u003e\n\u003cp\u003eThe slithery inner voicings of Evans’ orchestration—on both a lissome swinger like “Boplicity” and the intriguing highlight “Moon Dreams”—sound present and alive in a way they hadn’t before. Some sly, murmuring touches from the tuba and French horn are clearer in the mix, without diverting from the coherence of the whole. The other arrangements, mainly by Lewis and Mulligan, shine nearly as bright; there’s a unifying style that makes each piece seem like a room in a house, with Davis’ trumpet serving as a guide. (For a present-day listener, the only truly jarring moment may be “Darn That Dream,” a vocal feature for Kenny Hagood that evokes the bandstand customs of the big-band era.)\u003c\/p\u003e\n\u003cp\u003eDue to the limitations of the source material, there isn’t nearly as much improvement in the quality of the Royal Roost recordings, made on Sept. 4 and 18, 1948. (They first appeared in sanctioned form on a 1998 2-CD reissue, also titled The Complete Birth of the Cool.) So the primary selling point here is the superior sound of the studio material. The new set also features exemplary liner notes by Ashley Kahn, who connects all of the dots while preserving a big-picture narrative arc. Among the sources that Kahn quotes is the authoritative jazz critic Gary Giddins, who once wrote that The Birth of the Cool nonet went “straight from cult to classic,” at least among jazz cognoscenti. “Its musicians redesigned jazz in the ’50s,” Giddins goes on, “calming bop’s fevers, soothing its brow, bringing wreaths to its entombment.”\u003c\/p\u003e\n\u003cp\u003eDavis always expressed ambivalence on the subject of West Coast “cool jazz,” which made stars out of Mulligan, trumpeter Chet Baker and others. There was a racial dynamic at play in the popularity of the style, and Davis wasn’t one to let such matters slide. “Birth of the Cool came from black musical roots,” he asserts, maybe a touch defensively, in Miles: The Autobiography, first published in 1989. “It came from Duke Ellington. We were trying to sound like Claude Thornhill, but he had gotten his shit from Duke Ellington and Fletcher Henderson.” At the same time, it’s worth noting how harmoniously the nonet functioned as an integrated unit. Davis heard complaints from black musicians about that, as he recalls in his book: “I just told them that if a guy could play as well as Lee Konitz I would hire him every time, and I wouldn't give a damn if he was green with red breath.” (Listen to Konitz’s harmonically daring and hummingbird-quick alto saxophone solo on “Israel,” a John Carisi tune, and the remark will make perfect sense.)\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437935063140,"sku":"VRIC017","price":5995.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/ABLU_46801__141948__07022019105638-1840_3885dfbe-1b6e-49e4-b50e-a50c2b4f8edc.jpg?v=1754115468"},{"product_id":"miles-davis-greatest-hits","title":"MILES DAVIS - GREATEST HITS","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=pOwXL_N6xhM\u0026amp;list=PLLs-PNQhzqkNn1dSjej_N-ZvkcPao5GJi\" target=\"_blank\"\u003e\"Seven Steps to Heaven\" (Victor Feldman, Miles Davis) – 6:26\u003c\/a\u003e\u003cbr\u003e2. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=-488UORrfJ0\u0026amp;list=PLLs-PNQhzqkNn1dSjej_N-ZvkcPao5GJi\u0026amp;index=2\" target=\"_blank\"\u003e\"All Blues\" [live] (Davis) – 8:54\u003c\/a\u003e\u003cbr\u003e3. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=fBq87dbKyHQ\u0026amp;list=PLLs-PNQhzqkNn1dSjej_N-ZvkcPao5GJi\u0026amp;index=3\" target=\"_blank\"\u003e\"Someday My Prince Will Come\" (Larry Morey, Frank E. Churchill) – 9:11\u003c\/a\u003e\u003cbr\u003e4. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=WMW3RloxEyA\u0026amp;list=PLLs-PNQhzqkNn1dSjej_N-ZvkcPao5GJi\u0026amp;index=4\" target=\"_blank\"\u003e\"Walkin'\" [live] [edited] (Richard Carpenter) – 13:11\u003c\/a\u003e\u003cbr\u003e5. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=OCqZE6oBSsQ\u0026amp;list=PLLs-PNQhzqkNn1dSjej_N-ZvkcPao5GJi\u0026amp;index=5\" target=\"_blank\"\u003e\"My Funny Valentine\" [live] (Richard Rodgers, Lorenz Hart) – 5:10\u003c\/a\u003e\u003cbr\u003e6. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=GIgLt7LAZF0\u0026amp;list=PLLs-PNQhzqkNn1dSjej_N-ZvkcPao5GJi\u0026amp;index=6\" target=\"_blank\"\u003e\"'Round Midnight\" (Thelonious Monk, Cootie Williams, Bernie Hanighen) – 5:58\u003c\/a\u003e\u003cbr\u003e7. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=ylXk1LBvIqU\u0026amp;list=PLLs-PNQhzqkNn1dSjej_N-ZvkcPao5GJi\u0026amp;index=7\" target=\"_blank\"\u003e\"So What\" (Davis) – 9:23\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMiles Davis' Greatest Hits \u003c\/strong\u003eis a compilation album by Miles Davis originally released in 1969 and re-released in 1997 on CD with different recordings of tracks 3, 4 and 8.\u003c\/p\u003e\n\u003cdiv data-cel-widget=\"productDescription_feature_div\" data-csa-c-id=\"40wc3n-1lrvrw-mdpft5-5jxmro\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"\" data-csa-c-slot-id=\"productDescription_feature_div\" data-csa-c-content-id=\"productDescription\" data-csa-c-type=\"widget\" data-feature-name=\"productDescription\" class=\"celwidget\" id=\"productDescription_feature_div\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-cel-widget=\"productDescription_feature_div\" class=\"a-row feature\" id=\"productDescription_feature_div\" data-template-name=\"productDescription\" data-feature-name=\"productDescription\"\u003e\n\u003cdiv class=\"a-section a-spacing-small\" id=\"productDescription\"\u003e\n\u003cp\u003e\u003cspan\u003eLimited vinyl LP repressing including digital download. Miles Davis' Greatest Hits is a compilation album by Miles Davis released in vinyl in 1969. This collection includes tracks from the albums Seven Steps To Heaven, My Funny Valentine, Someday My Prince Wil Come, In Person Friday Night At The Blackhawk, E.S.P., 'Round About Midnight and Kind Of Blue. Miles Davis was an iconic jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music. Davis adopted a variety of musical directions in his five-decade career which kept him at the forefront of a number of major stylistic developments in jazz.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eProduct details\u003c\/h2\u003e\n\u003cdiv id=\"detailBullets_feature_div\"\u003e\n\u003cul class=\"a-unordered-list a-nostyle a-vertical a-spacing-none detail-bullet-list\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eProduct Dimensions ‏ : ‎\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e12.31 x 12.41 x 0.23 inches; 8.96 ounces\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eManufacturer ‏ : ‎\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eLegacy Recordings\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eOriginal Release Date ‏ : ‎\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e2018\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eRun time ‏ : ‎\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e1 hour and 13 minutes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eDate First Available ‏ : ‎\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eAugust 30, 2017\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eLabel ‏ : ‎\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eLegacy Recordings\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eASIN ‏ : ‎\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eB073W3DLGP\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eCountry of Origin ‏ : ‎\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eUSA\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eNumber of discs ‏ : ‎\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"legalEUBtf_feature_div\" data-csa-c-id=\"9bnpyu-taxi31-cdeed4-z7zczr\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"\" data-csa-c-slot-id=\"legalEUBtf_feature_div\" data-csa-c-content-id=\"legalEUBtf\" data-csa-c-type=\"widget\" data-feature-name=\"legalEUBtf\" class=\"celwidget\" id=\"legalEUBtf_feature_div\"\u003e\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"dmusic-dpx-tracklist-feature-fetcher_feature_div\" data-csa-c-id=\"hse76k-rklbgk-lzamug-abclpr\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"\" data-csa-c-slot-id=\"dmusic-dpx-tracklist-feature-fetcher_feature_div\" data-csa-c-content-id=\"dmusic-dpx-tracklist-feature-fetcher\" data-csa-c-type=\"widget\" data-feature-name=\"dmusic-dpx-tracklist-feature-fetcher\" class=\"celwidget\" id=\"dmusic-dpx-tracklist-feature-fetcher_feature_div\"\u003e\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"detailBullets_feature_div\" data-csa-c-id=\"bo2jr6-qklp5v-dr166g-jvhdwt\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"\" data-csa-c-slot-id=\"detailBullets_feature_div\" data-csa-c-content-id=\"detailBullets_feature_v2\" data-csa-c-type=\"widget\" data-feature-name=\"detailBullets_feature_v2\" class=\"celwidget\" id=\"detailBullets_feature_div\"\u003e\n\u003cdiv data-cel-widget=\"detailBulletsWrapper_feature_div\" class=\"a-section feature detail-bullets-wrapper bucket\" data-template-name=\"detailBullets\" data-feature-name=\"detailBullets\" id=\"detailBulletsWrapper_feature_div\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437949612132,"sku":"VRIC018","price":3500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/81zlXNKy35L._SX425.jpg?v=1754116537"},{"product_id":"miles-davis-someday-my-prince-will-come","title":"MILES DAVIS - SOMEDAY MY PRINCE WILL COME","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=fWN9UfUV9eE\u0026amp;list=PLL-NbN8uTOihXCqu3COC-6rdv-Xyj1Jy_\" rel=\"noopener\" target=\"_blank\"\u003eSomeday My Prince Will Come\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=WIyeydT3rKs\u0026amp;list=PLL-NbN8uTOihXCqu3COC-6rdv-Xyj1Jy_\u0026amp;index=2\" rel=\"noopener\" target=\"_blank\"\u003eOld Folks\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=ptU-_vlyPH8\u0026amp;list=PLL-NbN8uTOihXCqu3COC-6rdv-Xyj1Jy_\u0026amp;index=3\" rel=\"noopener\" target=\"_blank\"\u003ePfrancing\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=vh8lcMy4MNU\u0026amp;list=PLL-NbN8uTOihXCqu3COC-6rdv-Xyj1Jy_\u0026amp;index=4\" rel=\"noopener\" target=\"_blank\"\u003eDrad Dog\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=jrlQCYWleSM\u0026amp;list=PLL-NbN8uTOihXCqu3COC-6rdv-Xyj1Jy_\u0026amp;index=5\" rel=\"noopener\" target=\"_blank\"\u003eTeo\u003c\/a\u003e\u003cbr\u003e6.\u003ca href=\"https:\/\/www.youtube.com\/watch?v=gOnqdc5wLfo\u0026amp;list=PLL-NbN8uTOihXCqu3COC-6rdv-Xyj1Jy_\u0026amp;index=6\" rel=\"noopener\" target=\"_blank\"\u003e I Thought About You\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003e\"The session that produced \u003c\/span\u003e\u003cem\u003eSomeday My Prince Will Come\u003c\/em\u003e\u003cspan\u003e is here on vinyl and the transitional nature of the Miles Davis band at that moment is now clearer than ever. Hank Mobley produces some fine blues-inflected tenor solos, but when you hear guest John Coltrane (his last recording with Davis) on the alternate take of the title and on the modal \"Teo,\" it's understandable why Davis was unhappy: Coltrane plays with a confidence and a bravado that no other saxophonist could have mustered at that time, and lifts the band from the first note on. And when Philly Joe Jones sits in on \"Blues No. 2,\" playing with clarity and volatility, you know that Davis's working group was not quite up to his best. Still, Wynton Kelly is finely poised throughout; 'Pfrancing' is one of Davis's most charming and durable works; and the muted trumpet on 'Old Folks' and 'I Thought About You' is vintage. Maybe not essential Davis, but very pleasurable nonetheless.\" —\u003c\/span\u003e\u003cspan\u003e Amazon.com\u003c\/span\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437953445988,"sku":"VRIC019","price":6600.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/MilesDavis-SomedayMyPrinceWillCome.jpg?v=1739466723"},{"product_id":"miles-davis-bags-groove-prestige-7109","title":"MILES DAVIS - BAGS GROOVE PRESTIGE 7109","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=oUHUjqJ9-RQ\u0026amp;list=PLUo8TIQYTFW-a9Kn28TgKXpbDKIymb8qy\" target=\"_blank\" rel=\"noopener\"\u003eBags' Groove (Take 1)\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=O55OtNshbiU\u0026amp;list=PLUo8TIQYTFW-a9Kn28TgKXpbDKIymb8qy\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eBags' Groove (Take 2)\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=xxop4KMVPpY\u0026amp;list=PLUo8TIQYTFW-a9Kn28TgKXpbDKIymb8qy\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eAiregen\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=RJUZroNIbYM\u0026amp;list=PLUo8TIQYTFW-a9Kn28TgKXpbDKIymb8qy\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eOreo\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=0Oxio9qzTAI\u0026amp;list=PLUo8TIQYTFW-a9Kn28TgKXpbDKIymb8qy\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eBut Not For Me (Take 2)\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=n_nuaUlUMxs\u0026amp;list=PLUo8TIQYTFW-a9Kn28TgKXpbDKIymb8qy\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eDoxy\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=6Svlc0M4Mxk\u0026amp;list=PLUo8TIQYTFW-a9Kn28TgKXpbDKIymb8qy\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eBut Not For Me (Take 1)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Analogue Productions has continued to push its own already high bar higher still. Its Quality Record Pressings plant is delivering the best vinyl discs to be found, its jackets and cover reproduction quality have hit new levels, and it continues to have the best in the biz — such as Kevin Gray for this series (25 mono LPs from the Prestige label's exceptional late-50s run) cut lacquers from original analog master tapes. ... The set crackles with energy and the sound is rather cool, yet it's very clean and — like looking through a mountain stream — transparent. I also have AP's 2002 45 RPM set, and this new release makes that one sound a bit thick and veiled by comparison.\" — Wayne Garcia, The Absolute Sound, December 2015\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThere are a multitude of reasons why Bags’ Groove remains a cornerstone of the post-bop genre. Of course, says All Music Guide, there will always be the lure of the urban myth surrounding the Christmas Eve 1954 session — featuring Thelonious Monk — which is documented on the two takes of the title track. There are obviously more tangible elements, such as Davis’ practically telepathic runs with Sonny Rollins (tenor sax). Or Horace Silver’s (piano) uncanny ability to provide a stream of chord progressions that supply a second inconspicuous lead without ever overpowering.\u003c\/p\u003e\n\u003cp\u003eIndeed, Davis’ choice of former Dizzy Gillespie Orchestra and concurrent Modern Jazz Quartet members Milt Jackson (vibes), Kenny Clarke (drums), and Percy Heath (bass) is obviously well-informed. This combo became synonymous with the ability to tastefully improvise and provide bluesy bop lines in varied settings. The up-tempo and Latin-infused syncopation featured during the opening of \"Airegin\" flows into lines and minor-chord phrasings that would reappear several years later throughout Davis’ Sketches of Spain epic. The fun and slightly maniacally toned \"Oleo\" features one of Heath’s most impressive displays on Bags’ Groove. His staccato accompaniment exhibits the effortless nature with which these jazz giants are able to incorporate round after round of solos onto the larger unit. Bags’ Groove belongs as a cornerstone of all jazz collections.\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1957\u003c\/p\u003e\n\u003cp\u003eMiles Davis, trumpet\u003cbr\u003eSonny Rollins, tenor saxophone\u003cbr\u003eMilt Jackson, vibraphone\u003cbr\u003eThelonious Monk, piano\u003cbr\u003eHorace Silver, piano\u003cbr\u003ePercy Heath, bass\u003cbr\u003eKenny Clarke, drums \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437959376996,"sku":"VRIC020","price":6300.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/MILESDAVIS-BAGSGROOVEPRESTIGE7109.jpg?v=1739642995"},{"product_id":"the-dave-brubeck-quartet-at-carnegie-hall","title":"THE DAVE BRUBECK QUARTET - AT CARNEGIE HALL","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 1\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=XFrnCnbEJMQ\u0026amp;list=PL64D93478E0879D5B\" target=\"_blank\" rel=\"noopener\"\u003eSt. Louis Blues\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=wag1NX0k5bE\u0026amp;list=PL64D93478E0879D5B\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eBossa Nova U.S.A.\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=VJD3UvVoW_I\u0026amp;list=PL64D93478E0879D5B\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eFor All We Know\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 2\u003c\/strong\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Msr47rqY9rU\u0026amp;list=PL64D93478E0879D5B\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003ePennies from Heaven\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=rUxCJqdi6Mk\u0026amp;list=PL64D93478E0879D5B\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eSouthern Scene\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=iK_E1X2bZHA\u0026amp;list=PL64D93478E0879D5B\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eThree to Get Ready\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 3\u003c\/strong\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=-Ga4IBcQBFc\u0026amp;list=PL64D93478E0879D5B\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eEleven Four\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=XxjiLUL3gnc\u0026amp;list=PL64D93478E0879D5B\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eKing for a Day\u003c\/a\u003e\u003cbr\u003e9. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=0LBZJk5Kfgw\u0026amp;list=PL64D93478E0879D5B\u0026amp;index=10\" target=\"_blank\" rel=\"noopener\"\u003eCastilian Drums\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 4\u003c\/strong\u003e\u003cbr\u003e10. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=-jOiAN2BZEA\u0026amp;list=PL64D93478E0879D5B\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eIt's a Raggy Waltz\u003c\/a\u003e\u003cbr\u003e11. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=sFLILnhsW64\u0026amp;list=PL64D93478E0879D5B\u0026amp;index=11\" target=\"_blank\" rel=\"noopener\"\u003eBlue Rondo a La Turk\u003c\/a\u003e\u003cbr\u003e12. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=JVLIcbUL64M\u0026amp;list=PL64D93478E0879D5B\u0026amp;index=12\" target=\"_blank\" rel=\"noopener\"\u003eTake Five\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDouble 180-gram LP, gatefold jacket\u003c\/p\u003e\n\u003cp\u003eMany critics regard Dave Brubeck's Carnegie Hall concert from February 1963 as his greatest ever live appearance. But who can really determine that? For no one — apart from Brubeck himself — would have seen and heard his conservatively estimated 12,000 concerts.\u003c\/p\u003e\n\u003cp\u003eAlthough the 12 titles had already been released on LPs that had been recorded in the studio, these records were certainly not known to all those in the audience. In between the numbers on each LP, Brubeck made little 'advertising spots' in short comments, but with such charm and wit that one really cannot be angry with him.\u003c\/p\u003e\n\u003cp\u003eThe concert program begins with \"St. Louis Blues\" and ends with \"Take Five.\" Luckily, the solos are distributed among all the musicians, so that Paul Desmond and Joe Morello — whose prowess on this evening can only be called \"amazingly good\" — justifiably received enthusiastic applause from both the audience and us alike. \"Castilian Drums\" demonstrates Morello's wealth of ideas and his grandiose feeling for rhythm; though short, Paul Desmond's solos (\"Southern Scene\" is a good example!) are compelling, highly melodic, lyrical and possess a unique tone — as such they are immediately recognizable.\u003c\/p\u003e\n\u003cp\u003eHow fortunate that these 12 brilliantly improvised numbers are now available once again on vinyl, having been recorded live at the legendary Carnegie Hall 60 years ago.\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437967601764,"sku":"VRIC021","price":9200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/THEDAVEBRUBECKQUARTET-ATCARNEGIEHALL.jpg?v=1739643123"},{"product_id":"the-dave-brubeck-quartet-time-out-and-further-time-out","title":"THE DAVE BRUBECK QUARTET - TIME FURTHER OUT","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=k1WFaQ70giw\u0026amp;list=PLP0IenmeCOtzKUOvTdEhSp14RkyKN46lQ\" target=\"_blank\" rel=\"noopener\"\u003eIt’s A Raggy Waltz\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=lbfv-a3AteQ\u0026amp;list=PLP0IenmeCOtzKUOvTdEhSp14RkyKN46lQ\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eBluette\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=NMQyADHt8dQ\u0026amp;list=PLP0IenmeCOtzKUOvTdEhSp14RkyKN46lQ\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eCharles Matthew Hallelujah\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=hItKYxjJkwM\u0026amp;list=PLP0IenmeCOtzKUOvTdEhSp14RkyKN46lQ\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eFar More Blue\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=LiFR2RBhy7U\u0026amp;list=PLP0IenmeCOtzKUOvTdEhSp14RkyKN46lQ\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eFar More Drums\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=86HF6u0Eac8\u0026amp;list=PLP0IenmeCOtzKUOvTdEhSp14RkyKN46lQ\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eMaori Blues\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Q_ojgKSvu1U\u0026amp;list=PLP0IenmeCOtzKUOvTdEhSp14RkyKN46lQ\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eUnsquare Dance\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=miBFU2g_NHk\u0026amp;list=PLP0IenmeCOtzKUOvTdEhSp14RkyKN46lQ\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eBru’s Boogie Woogie\u003c\/a\u003e\u003cbr\u003e9. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=cAERtL7S6w4\u0026amp;list=PLP0IenmeCOtzKUOvTdEhSp14RkyKN46lQ\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eBlue Shadows In The Street\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTime Further Out continues the Dave Brubeck Quartet's exploration of unusual time signatures that began on their 1959 album Time Out. The tracks are ordered by the number of beats per bar, starting with \"It's a Raggy Waltz\" and \"Bluette\" in 3\/4, \"Charles Matthew Hallelujah\" in 4\/4, \"Far More Blue\" and \"Far More Drums\" in 5\/4, \"Maori Blues\" in 6\/4, \"Unsquare Dance\" in 7\/4, \"Bru's Boogie Woogie\" in 8\/8, and concluding with \"Blue Shadows in the Street\" in 9\/8. Like the original Time Out album, Time Further Out's cover features a work of modern art: a painting by Spanish artist Joan Miro.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusicians:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDave Brubeck, piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePaul Desmond, alto sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEugene Wright, bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJoe Morello, drums\u003c\/span\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437973336164,"sku":"VRIC022","price":4999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/THEDAVEBRUBECKQUARTET-TIMEOUTANDFURTHERTIMEOUT_c0044310-b24c-4990-b167-67f5a97719f5.jpg?v=1739644113"},{"product_id":"the-dave-brubeck-quartet-time-out","title":"THE DAVE BRUBECK QUARTET - TIME OUT","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=FqPC-BkylxA\u0026amp;list=PLDCdjwiC90TH1RIKCTjfre4mkJGjRKCk7\" target=\"_blank\" rel=\"noopener\"\u003eBlue Rondo A La Turk\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=XJ5FMEjWr5Q\u0026amp;list=PLDCdjwiC90TH1RIKCTjfre4mkJGjRKCk7\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eStrange Meadow Lark\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=ryA6eHZNnXY\u0026amp;list=PLDCdjwiC90TH1RIKCTjfre4mkJGjRKCk7\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eTake Five\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=EZLMHglUTaI\u0026amp;list=PLDCdjwiC90TH1RIKCTjfre4mkJGjRKCk7\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eThree To Get Ready\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=z8GLQycLjDg\u0026amp;list=PLDCdjwiC90TH1RIKCTjfre4mkJGjRKCk7\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eKathy's Waltz\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=zxGNx2hBqlc\u0026amp;list=PLDCdjwiC90TH1RIKCTjfre4mkJGjRKCk7\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eEverybody's Jumpin'\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=jDPu3PQtzUk\u0026amp;list=PLDCdjwiC90TH1RIKCTjfre4mkJGjRKCk7\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003ePick Up Sticks\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e(Brubeck) is the edition to own. You'll hear it right from the familiar piano intro to \"Blue Rondo a la Turk,\" where Brubeck's playing seems richer, more lyrical, more rhythmically alive. It seems to me that as our gear gets ever more quiet, these QRP LPs continue to wring more musical nuance from the finest recordings.\" — Music = 5\/5; Sound = 5\/5 — Wayne Garcia, The Absolute Sound, January 2013.\u003c\/p\u003e\n\u003cp\u003e“I've now heard a number of LPs from Quality Record Pressings (QRP), Chad Kassem's year-and-a-half-old record-pressing plant. Before Time Out, I would have said that some positive trends were apparent from the earlier LPs I've heard. However, this current pressing is so much better than those that came before it, which were certainly very good, that it's obvious things have improved considerably over the past year. It's a positive sign when the noise floor is defined by the hiss of the master tape, not the quality of the pressing or vinyl, and that's the case here. Having heard many, many Pallas and RTI pressings, the main competition for QRP, I would say that QRP pressings combine the strengths of both its competitors: the very low surface noise and bottom-of-the-groove quiet of Pallas LPs and the sharp delineation of musical detail of RTI.\" — Sound = 4.5\/5; Music = 5\/5 — Marc Mickelson, The Audio Beat, August 2012\u003c\/p\u003e\n\u003cp\u003eVirtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it — for the quartet's best-known hit \"Take Five\" has graced the soundtracks of multiple films, including \"Mighty Aphrodite,\" \"Pleasantville\" and \"Constantine.\"\u003c\/p\u003e\n\u003cp\u003eThe piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5\/4 time — so distinctive, it's a rare jazz track that became a pop hit.\u003c\/p\u003e\n\u003cp\u003eIncluding the monster hit \"Take Five,\" the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 45 RPM on 180-gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you the definitive copy.\u003c\/p\u003e\n\u003cp\u003eWhy definitive? The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. But it's more than just the vinyl that makes this release so special. For the first time in its history, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.\u003c\/p\u003e\n\u003cp\u003eThe jacket is also special — very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic \"old school\" look and feel. This jacket is a beauty! Never has Time Out's colorful iconic cover art looked so vibrant.\u003c\/p\u003e\n\u003cp\u003eThe record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer.  An entire album of originals? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.\u003c\/p\u003e\n\u003cp\u003eThe album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9\/8 time, a rare meter for Western music.\u003c\/p\u003e\n\u003cp\u003ePaul Desmond, who was Brubeck's alto saxophonist, wrote \"Take Five,\" at Brubeck's urging to try and write a song in quintuple (5\/4) time. \u003c\/p\u003e\n\u003cp\u003e\"I told Paul to put a melody over (drummer) Joe Morello's beat,\" Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.\u003c\/p\u003e\n\u003cp\u003eTime Out peaked at No. 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. \"Take Five\" became a mainstream hit, reaching No. 25 on the Billboard Hot 100, and No. 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.\u003c\/p\u003e\n\u003cp\u003eMusicians:\u003cbr\u003eDave Brubeck, piano\u003cbr\u003ePaul Desmond, alto saxophone\u003cbr\u003eJoe Morello, drums\u003cbr\u003eGene Wright, bass\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437985853540,"sku":"VRIC023","price":6400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/THEDAVEBRUBECKQUARTET-TIMEOUT.jpg?v=1739644571"},{"product_id":"bill-evans-roy-haynes-eric-dolphy-oliver-nelson-freddie-hubbard-the-blues-and-the-abstract-truth","title":"Oliver Nelson - The Blues and the Abstract Truth","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=S-48nLo810I\u0026amp;list=PLL-NbN8uTOihnGw3qzkiyB1lm5q_IvvPY\" target=\"_blank\" rel=\"noopener\"\u003eStolen Moments\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=tScz_y4ngSA\u0026amp;list=PLL-NbN8uTOihnGw3qzkiyB1lm5q_IvvPY\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eHoe-Down\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=lZIybeoholU\u0026amp;list=PLL-NbN8uTOihnGw3qzkiyB1lm5q_IvvPY\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eCascades\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=YNPf1msaF0w\u0026amp;list=PLL-NbN8uTOihnGw3qzkiyB1lm5q_IvvPY\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eYearnin'\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=QA_JAwsWysk\u0026amp;list=PLL-NbN8uTOihnGw3qzkiyB1lm5q_IvvPY\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eButch And Butch\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=hV3plL-YWZ4\u0026amp;list=PLL-NbN8uTOihnGw3qzkiyB1lm5q_IvvPY\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eTeenie's Blues\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"...Let me cut to the chase here and recommend that you buy two copies - one to enjoy and the other to hold for resale, because some day Acoustic Sounds' license will run out and lots of jazz fans will be kicking themselves for not buying a copy. Kevin Gray has turned out a perfect remastering job and this is my choice for reissue of the year.\" Recording = 10\/10; Music = 10\/10 - Dennis Davis, Hi-Fi+, Issue 68\u003c\/p\u003e\n\u003cp\u003eAs Oliver Nelson is known primarily as a big band leader and arranger, he is lesser known as a saxophonist and organizer of small ensembles. Blues And The Abstract Truth is his triumph as a musician for the aspects of not only defining the sound of an era with his all-time classic \"Stolen Moments,\" but on this recording, assembling one of the most potent modern jazz sextets ever. Lead trumpeter Freddie Hubbard is at his peak of performance, while alto saxophonists Nelson and Eric Dolphy (Nelson doubling on tenor) team to for an unlikely union that was simmered to perfection. Bill Evans (piano), Paul Chambers (bass) and Roy Haynes (drums) can do no wrong as a rhythm section.\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1961.\u003c\/p\u003e\n\u003cp\u003eMastered by Kevin Gray.\u003c\/p\u003e\n\u003cp\u003eOliver Nelson, alto saxophone, tenor saxophone\u003cbr\u003eGeorge Barrow, baritone saxophone\u003cbr\u003ePaul Chambers, bass\u003cbr\u003eEric Dolphy, flute, alto saxophone\u003cbr\u003eBill Evans, piano\u003cbr\u003eRoy Haynes, drums\u003cbr\u003eFreddie Hubbard, trumpet\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437994143844,"sku":"VRIC024","price":5800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/OliverNelson-TheBluesandtheAbstractTruth.jpg?v=1739644787"},{"product_id":"preservation-hall-jazz-band-so-it-is","title":"PRESERVATION HALL JAZZ BAND - SO IT IS","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=fcq6SN_YzlM\u0026amp;list=PLZQlDeZ1nX8DFZ0thnT4NuiPkytGYYkGA\" target=\"_blank\"\u003eSo It Is\u003c\/a\u003e\u003cbr\u003e2. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=vi504wcjFfs\u0026amp;list=PLZQlDeZ1nX8DFZ0thnT4NuiPkytGYYkGA\u0026amp;index=2\" target=\"_blank\"\u003eSantiago\u003c\/a\u003e \u003cbr\u003e3. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=_kJ2Sgc7VJw\u0026amp;list=PLZQlDeZ1nX8DFZ0thnT4NuiPkytGYYkGA\u0026amp;index=4\" target=\"_blank\"\u003eInnocence \u003c\/a\u003e\u003cbr\u003e4. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=ayJJPQyZ8wc\u0026amp;list=PLZQlDeZ1nX8DFZ0thnT4NuiPkytGYYkGA\u0026amp;index=5\" target=\"_blank\"\u003eLa Malanga\u003c\/a\u003e\u003cbr\u003e5. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=N7O_hA_dpY8\u0026amp;list=PLZQlDeZ1nX8DFZ0thnT4NuiPkytGYYkGA\u0026amp;index=6\" target=\"_blank\"\u003eCovergence\u003c\/a\u003e\u003cbr\u003e6. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=2ur4m6zzHL0\u0026amp;list=PLZQlDeZ1nX8DFZ0thnT4NuiPkytGYYkGA\u0026amp;index=7\" target=\"_blank\"\u003eOne Hundred Fires\u003c\/a\u003e\u003cbr\u003e7. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=R-3DfWAMjhg\u0026amp;list=PLZQlDeZ1nX8DFZ0thnT4NuiPkytGYYkGA\u0026amp;index=8\" target=\"_blank\"\u003eMad\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history.\u003c\/p\u003e\n\u003cp\u003ePreservation Hall Jazz Band’s That’s It! (2013) is an eclectic album that draws on the collective experience of players nurtured in the New Orleans tradition but determined to build something fresh and exciting on that foundation. It marks an important milestone in PHJB Creative Director Ben Jaffe’s crusade to carry forward the Hall’s original mission while making it relevant to today’s audiences.” For his part, co-producer Jim James (My Morning Jacket) is convinced that the PHJB has a future as vibrant as its past: “The music will speak forever,” he says. “Will people stop listening to Beethoven? Will people stop listening to Bob Dylan? Will people stop listening to the Preservation Hall Jazz Band?”\u003c\/p\u003e\n\u003cp\u003eSo It Is (2017) finds the classic Preservation Hall Jazz Band sound invigorated by a number of fresh influences, not least among them the band’s 2015 life-changing trip to Cuba. A visit to the island, so integral to the evolution of jazz and New Orleans culture in general, had long been in the works when President Obama’s diplomatic opening suddenly allowed for a more extensive journey than had originally seemed possible. Producer David Sitek, a founder of art rock innovators TV on the Radio who has helmed projects by Kelis, the Yeah Yeah Yeahs and Santigold among others, offered both a keen modern perspective and a profound respect for the band’s storied history.\u003c\/p\u003e\n\u003cp\u003eBoth albums are now back in print on vinyl and CD via Sub Pop, which signed Preservation Hall Jazz Band in 2018, and will soon be releasing new music by the band. \u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44437999747172,"sku":"VRIC025","price":3999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/PRESERVATIONHALLJAZZBAND-SOITIS.jpg?v=1739645205"},{"product_id":"the-dave-brubeck-trio-featuring-gerry-mulligan-blues-roots","title":"THE DAVE BRUBECK TRIO FEATURING GERRY MULLIGAN - BLUES ROOTS","description":"\u003cdiv class=\"artdet__name-pagination-wrap d-flex\"\u003e\n\u003cdiv class=\"col pl-0 artdet__name line-clamp--3-12 h1\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 1\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=79P-qu8CDZM\" target=\"_blank\" rel=\"noopener\"\u003eLimehouse Blues\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=kQgBYJSjHPY\u0026amp;list=OLAK5uy_lQo3V-i9gufjosgalOVNk5qmgNlWZaJik\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eJourney\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=g7OOMaks3tg\u0026amp;list=OLAK5uy_lQo3V-i9gufjosgalOVNk5qmgNlWZaJik\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eCross Ties\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 2\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=hXq4QS4nx-0\u0026amp;list=OLAK5uy_lQo3V-i9gufjosgalOVNk5qmgNlWZaJik\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eBroke Blues\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=BRug1Ch7n1o\u0026amp;list=OLAK5uy_lQo3V-i9gufjosgalOVNk5qmgNlWZaJik\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eThings Ain’t What They Used To Be\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=19cBuHdQoHM\u0026amp;list=OLAK5uy_lQo3V-i9gufjosgalOVNk5qmgNlWZaJik\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eMovin’ Out\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=xYqfUEVgEjE\u0026amp;list=OLAK5uy_lQo3V-i9gufjosgalOVNk5qmgNlWZaJik\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eBlues Roots\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRemastering by Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/p\u003e\n\u003cp\u003eAlthough this is a blues-oriented set, there is plenty of variety in tempos and grooves. The 1968 Quartet featured the leader\/pianist, baritone saxophonist Gerry Mulligan, bassist Jack Six and drummer Alan Dawson. The repertoire on this LP ranges from \"Limehouse Blues\" (which is not really a blues) to \"Things Ain't What They Used to Be\" and several originals.\u003c\/p\u003e\n\u003cp\u003eThese songs are average for 1968, but the soloing is remarkable and the musicians here are some of the best. \"Journey\" is a remarkably beautiful piano ballad, while \"Blues Roots\" narrowly rises above in it's epic scope, and over-the-top ending. It's probably my favourite song here. But, \"Broke Blues\" is also exceptional. This one, along with \"Cross Ties\" and \"Blues Roots\", are fairly progressive, drawing as much from post bop as blues and traditional jazz, pushing toward avante-garde.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44438007644260,"sku":"VRIC026","price":4600.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/THEDAVEBRUBECKTRIOFEATURINGGERRYMULLIGAN-BLUESROOTS.jpg?v=1739645490"},{"product_id":"paul-desmond-easy-living","title":"PAUL DESMOND - EASY LIVING","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=CN_X2UtDyQ4\u0026amp;list=OLAK5uy_m7rxTUQxYcOGXlbEkRaXbAgGUGEU8ldMM\" target=\"_blank\" rel=\"noopener\"\u003eWhen Joanna Loved Me\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=_Oe0rffUM8U\u0026amp;list=OLAK5uy_m7rxTUQxYcOGXlbEkRaXbAgGUGEU8ldMM\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eThat Old Feeling\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=fMjJKqQOJB4\u0026amp;list=OLAK5uy_m7rxTUQxYcOGXlbEkRaXbAgGUGEU8ldMM\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003ePolka Dots And Moonbeams\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=1V88bYnezyE\u0026amp;list=OLAK5uy_m7rxTUQxYcOGXlbEkRaXbAgGUGEU8ldMM\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eHere's That Rainy Day\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=w9AOSFX3O1Q\u0026amp;list=OLAK5uy_m7rxTUQxYcOGXlbEkRaXbAgGUGEU8ldMM\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eEasy Living\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=SlK3u5VmH7c\u0026amp;list=OLAK5uy_m7rxTUQxYcOGXlbEkRaXbAgGUGEU8ldMM\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eI've Grown Accustomed To Her Face\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=xHHjhUHqVcI\u0026amp;list=OLAK5uy_m7rxTUQxYcOGXlbEkRaXbAgGUGEU8ldMM\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eBewitched\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=4Jt_kvgTUnY\u0026amp;list=OLAK5uy_m7rxTUQxYcOGXlbEkRaXbAgGUGEU8ldMM\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eBlues For Fun\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhy should you buy this LP? 1. Because of its super sound? Of course! 2. Because Paul Desmond and Jim Hall are playing? Naturally! 3. For \"Easy Living\"? Surely one of the best numbers in one of the most multifaceted versions! 4. Because you missed out on the first release in 1966? Well, don’t make the same mistake in 2018!\u003c\/p\u003e\n\u003cp\u003eNot everyone wants to purchase all Victor recordings by Paul Desmond and Jim Hall with umpteen alternate takes in a voluminous CD Box, to listen to it all, and to find it just wonderful to show off on the record shelf. The eight numbers on Easy Living constitute the height of Desmond’s career anyway after he had at last managed to take his leave from Dave Brubeck’s group. And the change from purely chordal playing and single notes from Jim Hall is more airy and more inspiring than the meaty piano clusters of his former boss. And don’t forget either that half of the Modern Jazz Quartet, namely the bassist Percy Heath and the drummer Connie Kay, deliver an exquisite skeletal structure over which the musicians can improvise brilliantly.\u003c\/p\u003e\n\u003cp\u003eLPs are, and remain, unbeatable, both as regards sound and feel. And happily they are also a safe investment – maybe not all, but Easy Living with Paul Desmond and Jim Hall most definitely!\u003c\/p\u003e\n\u003cp\u003eThis Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. \u003cbr\u003eAll royalties and mechanical rights have been paid.\u003c\/p\u003e\n\u003cp\u003eRecording: June 1963, July and September 1964, June 1965 at RCA Studio, New York City\u003cbr\u003eProduction: George Avakian\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44438017310820,"sku":"VRIC027","price":5200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/PAULDESMOND-EASYLIVING.jpg?v=1739645787"},{"product_id":"the-three-sounds-out-of-this-world","title":"THE THREE SOUNDS - OUT OF THIS WORLD","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A:\u003c\/strong\u003e\u003cbr\u003e1. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=0hM-P4XUy7U\u0026amp;list=PLik2efjc2VwStcdYjVU0siXTeyXbsdF9E\" target=\"_blank\"\u003eGirl of My Dreams\u003c\/a\u003e\u003cbr\u003e2. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=rwcr6GpuO_Y\u0026amp;list=PLik2efjc2VwStcdYjVU0siXTeyXbsdF9E\u0026amp;index=2\" target=\"_blank\"\u003eOut of the Past\u003c\/a\u003e\u003cbr\u003e3. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=fE1Xo3rLa1c\u0026amp;list=PLik2efjc2VwStcdYjVU0siXTeyXbsdF9E\u0026amp;index=4\" target=\"_blank\"\u003eJust In Time\u003c\/a\u003e\u003cbr\u003e4. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=-sMHLHF2bI8\u0026amp;list=PLik2efjc2VwStcdYjVU0siXTeyXbsdF9E\u0026amp;index=5\" target=\"_blank\"\u003eI'll Be Around\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B:\u003c\/strong\u003e\u003cbr\u003e1. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=CWP-ulfOz1w\" target=\"_blank\"\u003eMy Silent Love\u003c\/a\u003e\u003cbr\u003e2. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=6VaC4XMeyJs\u0026amp;list=PLik2efjc2VwStcdYjVU0siXTeyXbsdF9E\u0026amp;index=6\" target=\"_blank\"\u003eSanctified Sue\u003c\/a\u003e\u003cbr\u003e3. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=GUEOKJA_XmU\u0026amp;list=PLik2efjc2VwStcdYjVU0siXTeyXbsdF9E\u0026amp;index=7\" target=\"_blank\"\u003eOut of This World\u003c\/a\u003e\u003cbr\u003e4. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=MRdrsb0EhpM\u0026amp;list=PLik2efjc2VwStcdYjVU0siXTeyXbsdF9E\u0026amp;index=8\" target=\"_blank\"\u003eYou Make Me Feel So Young\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNewly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was.\u003c\/p\u003e\n\u003cp\u003eA light and groovy new take on standards, Out Of This World by The Three Sounds was recorded in 1962. Out Of This World contains music by The Three Sounds trio consisting of Gene Harris on piano, Andrew Simpkins on bass, and drummer Bill Dowdy.\u003c\/p\u003e\n\u003cp\u003eThe Three Sounds (also known as The 3 Sounds) were an American jazz trio that formed in 1956 and disbanded in 1973. The trio played and recorded with Lester Young, Lou Donaldson, Nat Adderley, Johnny Griffin, Anita O'Day, Bucky Pizzarelli, Stanley Turrentine and Sonny Stitt, among others. Between 1958 and 1962, the group released nine albums for Blue Note. They toured nationally during this period, building a large following in jazz clubs across the country.\u003c\/p\u003e\n\u003cp\u003e\"Out of This World relies less on originals than before, concentrating on standards which sound startlingly fresh. It's the loose, flexible groove that's the key. Simpkins and Dowdy keep things on track, while Gene Harris plays -- he can be nimble, he can pound, but he keeps the music flowing at a nice, easy pace. He has a good sense of the groove, and he stays within the groove even as he plays a lot of notes; it's truly an individual style...It's hard to sound this light and easy, and the Three Sounds pull it off with grace.\" -Stephen Thomas Erlewine, allmusic.com\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e• Vinyl LP\u003cbr\u003e• Remastered \u0026amp; reissued as part of the Blue Note 75th Anniversary campaign\u003cbr\u003e• Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles\u003cbr\u003e• First run pressings to include Blue Note 75th logo on back of package\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusicians:\u003c\/strong\u003e\u003cbr\u003eGene Harris, piano\u003cbr\u003eAndrew Simpkins, bass\u003cbr\u003eBill Dowdy, drums\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44438051389540,"sku":"VRIC029","price":4000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/THETHREESOUNDS-OUTOFTHISWORLD.jpg?v=1739646795"},{"product_id":"paul-desmond-take-ten","title":"PAUL DESMOND - TAKE TEN","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=rI7hArFCiR8\u0026amp;list=PLdcpjaPDg3Szbj_rXx0cVQEx3nBqyTMFV\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eTake Ten\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=G1nu_0f7tLI\u0026amp;list=PLdcpjaPDg3Szbj_rXx0cVQEx3nBqyTMFV\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eEl Prince\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=gjUKNqB7Ugg\u0026amp;list=PLdcpjaPDg3Szbj_rXx0cVQEx3nBqyTMFV\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eAlone Together\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=k9xOFG8SdFg\u0026amp;list=PLdcpjaPDg3Szbj_rXx0cVQEx3nBqyTMFV\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eEmbarcadero\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=dATuiQ4GPP0\u0026amp;list=PLdcpjaPDg3Szbj_rXx0cVQEx3nBqyTMFV\u0026amp;index=1\" target=\"_blank\" rel=\"noopener\"\u003eTheme from ''Black Orpheus''\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=NhEJDdBlY-k\u0026amp;list=PLdcpjaPDg3Szbj_rXx0cVQEx3nBqyTMFV\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eNancy (With the Laughing Face)\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=04Dztn0zcRs\u0026amp;list=PLdcpjaPDg3Szbj_rXx0cVQEx3nBqyTMFV\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eSamba de Orfeu\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=xjlF_EJU1ZM\u0026amp;list=PLdcpjaPDg3Szbj_rXx0cVQEx3nBqyTMFV\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eThe One I Love (Belongs to Somebody Else)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo, not Take Five but Take Ten is the title of this LP and its very first number. Certainly this should not be taken as a hint that it was not Dave Brubeck but Paul Desmond who was the composer of this \"million seller.\" At the recording session, the guitarist Jim Hall was more than a substitute for the piano - he contributed to the quartet a whole new sound coloring which was tinged with the influences of bossa nova. The numbers are all easy-going and airy, the melodic lines and sound are filled with transparency. All the while one is curious as to the clear part-writing, and the wealth of ideas emanating from the soloists. This does not only apply to the old favorites \"Alone Together,\" \"Nancy\" and \"The One I Love,\" all three of them arrangements made ad hoc in the studio and which demonstrate how familiar the musicians were with one another, how they listened to one another, answered, and kept the dialogue flowing. The atmosphere is relaxed, and this conveys itself to the listener even after almost half a century.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44438064955492,"sku":"VRIC030","price":5200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/PAULDESMOND-TAKETEN.jpg?v=1739647441"},{"product_id":"duke-ellington-meets-count-basie-battle-royal","title":"DUKE ELLINGTON MEETS COUNT BASIE - BATTLE ROYAL","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=hCEcX73-LJk\u0026amp;list=PLyqAz2idXOaUkfH3AlGGTd1_V9i_Hf9zY\" target=\"_blank\" rel=\"noopener\"\u003eBattle Royal\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=t1c2WNwElac\u0026amp;list=PLyqAz2idXOaUkfH3AlGGTd1_V9i_Hf9zY\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eTo you\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=voB1bXTYksM\u0026amp;list=PLyqAz2idXOaUkfH3AlGGTd1_V9i_Hf9zY\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eTake the 'A' Train\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=9YRdDeoSu74\u0026amp;list=PLyqAz2idXOaUkfH3AlGGTd1_V9i_Hf9zY\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eUntil I Met you\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=N-e64F5Hs9E\u0026amp;list=PLyqAz2idXOaUkfH3AlGGTd1_V9i_Hf9zY\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eWild Man\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=MNvCOCEZWfM\u0026amp;list=PLyqAz2idXOaUkfH3AlGGTd1_V9i_Hf9zY\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eSegue in C\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=hrdXp2E96qU\u0026amp;list=PLyqAz2idXOaUkfH3AlGGTd1_V9i_Hf9zY\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eB D B\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=BnlaNFl5Gr8\u0026amp;list=PLyqAz2idXOaUkfH3AlGGTd1_V9i_Hf9zY\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eJumpin' at the Woodside\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe musical event which is presented in this album is without precedent in the history of jazz. History largely consists of chronicling momentous occasions and it was such an occasion when the full orchestras of Duke Ellington and Count Basie recorded together on July 6, 1961. The result is almost an embarrassment of riches. It is great in significance, great in musical content and, above all, great in demonstrating the two famous leaders' mutual appreciation and understanding of each other. At first glance this collaboration should not have worked. The Duke Ellington and Count Basie orchestras had already been competitors for 25 years but the leaders' mutual admiration (Ellington was one of Basie's main idols) and some brilliant planning made this a very successful and surprisingly uncrowded encounter. On most selections Ellington and Basie both play piano (their interaction with each other is wonderful) and the arrangements allowed the stars from both bands to take turns soloing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44438076096612,"sku":"VRIC031","price":3299.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/DUKEELLINGTONMEETSCOUNTBASIE-BATTLEROYAL.jpg?v=1739686698"},{"product_id":"duke-ellington-and-johnny-hodges-side-by-side","title":"DUKE ELLINGTON AND JOHNNY HODGES - SIDE BY SIDE","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 1\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=rD0jdhg2tdE\u0026amp;list=OLAK5uy_n8h-fo9lFZP-Njbn6kE2OzlYeGeRz2hB0\" target=\"_blank\" rel=\"noopener\"\u003eStompy Jones\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=SrIkG0XWYhE\u0026amp;list=OLAK5uy_n8h-fo9lFZP-Njbn6kE2OzlYeGeRz2hB0\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eJust Squeeze Me\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=r9-9mkE19dc\u0026amp;list=OLAK5uy_n8h-fo9lFZP-Njbn6kE2OzlYeGeRz2hB0\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eBig Shoe\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=gfCX6UQfLnY\u0026amp;list=OLAK5uy_n8h-fo9lFZP-Njbn6kE2OzlYeGeRz2hB0\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eGoing Up\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 2\u003c\/strong\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=QPqaskgwM2M\u0026amp;list=OLAK5uy_n8h-fo9lFZP-Njbn6kE2OzlYeGeRz2hB0\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eJust a Memory\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=0H9DCkhs9_8\u0026amp;list=OLAK5uy_n8h-fo9lFZP-Njbn6kE2OzlYeGeRz2hB0\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eLet's Fall in Love\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=xBRuINvQbM4\u0026amp;list=OLAK5uy_n8h-fo9lFZP-Njbn6kE2OzlYeGeRz2hB0\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eRuint\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=ymorEW0UW7Y\u0026amp;list=OLAK5uy_n8h-fo9lFZP-Njbn6kE2OzlYeGeRz2hB0\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eBend One\u003c\/a\u003e\u003cbr\u003e9. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=dWghx_mfGFw\u0026amp;list=OLAK5uy_n8h-fo9lFZP-Njbn6kE2OzlYeGeRz2hB0\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eYou Need to Rock\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!\" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November\/December 2011\u003c\/p\u003e\n\u003cp\u003eWhen Norman Granz signed Johnny Hodges to a recording contract in 1951, it was a prelude to Hodges' leaving the Duke Ellington orchestra to lead his own small band. Four years later Hodges was back in the Ellington fold, but he continued to record for Granz under his own name. Side By Side, recorded in 1958 and 1959, is a throwback to the small-group sessions Ellington recorded with Hodges and other members of his orchestra in the Thirties, but with a couple of important differences: the absence of Ellington himself on several cuts (with Billy Strayhorn taking over on piano), and the presence of such notable non-Ellingtonians as drummer Jo Jones and trumpeters Roy Eldridge and Harry \"Sweets\" Edison.\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1959.\u003c\/p\u003e\n\u003cp\u003eDuke Ellington, piano\u003cbr\u003eJohnny Hodges, alto saxophone\u003cbr\u003eLawrence Brown, trombone\u003cbr\u003eHarry \"Sweets\" Edison, trumpet\u003cbr\u003eRoy Eldridge, trumpet\u003cbr\u003eAl Hall, bass\u003cbr\u003eJohnny Hodges, alto saxophone\u003cbr\u003eJo Jones, drums\u003cbr\u003eWendell Marshall, bass\u003cbr\u003eLes Spann, flute, guitar\u003cbr\u003eBilly Strayhorn, piano\u003cbr\u003eBen Webster, tenor saxophone\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44438082945124,"sku":"VRIC032","price":3699.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/DUKEELLINGTONANDJOHNNYHODGES-SIDEBYSIDE.jpg?v=1739687023"},{"product_id":"duke-ellington-and-john-coltrane","title":"DUKE ELLINGTON AND JOHN COLTRANE","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=gkdFmq4Nnmk\u0026amp;list=PLL-NbN8uTOiiQTfI9-s5iGJK-BDMguqt9\" target=\"_blank\" rel=\"noopener\"\u003eIn A Sentimental Mood\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=XJnIgZwnDuM\u0026amp;list=PLL-NbN8uTOiiQTfI9-s5iGJK-BDMguqt9\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eTake The Coltrane\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=GCu7Dd8CqoE\u0026amp;list=PLL-NbN8uTOiiQTfI9-s5iGJK-BDMguqt9\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eBig Nick\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=fuxpwj-D4L8\u0026amp;list=PLL-NbN8uTOiiQTfI9-s5iGJK-BDMguqt9\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eStevie\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=3Q18F--zZ-I\u0026amp;list=PLL-NbN8uTOiiQTfI9-s5iGJK-BDMguqt9\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eMy Little Brown Book\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=S9WMdFpNBTk\u0026amp;list=PLL-NbN8uTOiiQTfI9-s5iGJK-BDMguqt9\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eAngelica\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Zka8CXiOX6I\u0026amp;list=PLL-NbN8uTOiiQTfI9-s5iGJK-BDMguqt9\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eThe Feeling Of Jazz\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe classic 1962 album Duke Ellington \u0026amp; John Coltrane introduces the rising jazz saxophone innovator performing with the long-established piano institution Duke Ellington.\u003c\/p\u003e\n\u003cp\u003e\"Perhaps looking to renew his inspiration or maybe simply wanting to broaden his horizons, Duke Ellington began a string of collaborations in the second half of his career — whereas before that, his own band was stimulus enough. Whatever the reason, almost all of his collaborations succeeded at high levels, although none of his shared sessions are more intriguing on the surface than this 1962 date with the preeminent sax star of the day.\u003c\/p\u003e\n\u003cp\u003e\"In reality, the record amounts to 'Coltrane Plays Ellington' (plus one Coltrane original) because the tenor man is the whole show — and what a show it is. Only Coltrane could be as 'fiercely tender,' and there's no better forum for his sensitive side than the music of Ellington and Billy Strayhorn, who contributes the album's true vertex, 'My Little Brown Book.' The rhythm section alternates between Duke's and Trane's, each adding a different texture to the proceedings. Ellington is wise enough to appreciate the nature of the session, and he is quite content to feed chords in service of the young master--proving the old master's open mind and good taste. Hearing Coltrane seize 'In a Sentimental Mood' is thanks enough.\" — Marc Greilsamer\u003c\/p\u003e\n\u003cp\u003eAt a gathering of Ellington band alumni organized by Jazz at Lincoln Center, bassist John Lamb recalled the sessions for Duke Ellington \u0026amp; John Coltrane: \"There was no music on that whole date. Nobody had a chart. We came in and we were standing there, waiting to see what would happen. 'Trane would go and sit on the piano bench with Duke. They didn't talk, but Duke would be singing ... and 'Trane would go ... Then, after they did that for a few minutes, they got up. 'Trane would go to his microphone, Duke would start playing, and the rhythm section, we had to do for ourselves, you know. That's it. He didn't even tell you the key. He could communicate without words, and 'Trane could hear it.\" On \"Take the Coltrane,\" the two play in a quartet of Coltrane's bandmates of the day, bassist Jimmy Garrison and drummer Elvin Jones (Ellington men Lamb and drummer Sam Woodyard also played on the album). — JazzIz Magazine\u003c\/p\u003e\n\u003cp\u003eRecorded on September 26, 1962 at Van Gelder Studio, Englewood Cliffs, New Jersey.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44438088876132,"sku":"VRIC033","price":5400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/DUKEELLINGTONANDJOHNCOLTRANE.jpg?v=1739687713"},{"product_id":"duke-ellington-meets-coleman-hawkins","title":"DUKE ELLINGTON MEETS COLEMAN HAWKINS","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=nvffraVJg1g\u0026amp;list=PLKjjIa7cwTkKJANK0U5YnaAnG82aiR3b_\" target=\"_blank\"\u003eLimbo Jazz\u003c\/a\u003e\u003cbr\u003e2. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=dGt5fBKB_0Y\u0026amp;list=PLKjjIa7cwTkKJANK0U5YnaAnG82aiR3b_\u0026amp;index=2\" target=\"_blank\"\u003eMood Indigo\u003c\/a\u003e\u003cbr\u003e3. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=UESc7tt2YWo\u0026amp;list=PLKjjIa7cwTkKJANK0U5YnaAnG82aiR3b_\u0026amp;index=3\" target=\"_blank\"\u003eRay Charles' Place\u003c\/a\u003e\u003cbr\u003e4. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=nevROYOJs5s\u0026amp;list=PLKjjIa7cwTkKJANK0U5YnaAnG82aiR3b_\u0026amp;index=4\" target=\"_blank\"\u003eWanderlust\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=yBau0QbVMP8\u0026amp;list=PLKjjIa7cwTkKJANK0U5YnaAnG82aiR3b_\u0026amp;index=5\" target=\"_blank\"\u003eYou Dirty Dog\u003c\/a\u003e\u003cbr\u003e2. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=UWYqutnjZBw\u0026amp;list=PLKjjIa7cwTkKJANK0U5YnaAnG82aiR3b_\u0026amp;index=6\" target=\"_blank\"\u003eSelf Portrait\u003c\/a\u003e\u003cbr\u003e3. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=w8dxBhbUQOc\u0026amp;list=PLKjjIa7cwTkKJANK0U5YnaAnG82aiR3b_\u0026amp;index=7\" target=\"_blank\"\u003eThe Jeep Is Jumpin'\u003c\/a\u003e\u003cbr\u003e4. \u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/watch?v=5TOCgG1PBV8\u0026amp;list=PLKjjIa7cwTkKJANK0U5YnaAnG82aiR3b_\u0026amp;index=8\" target=\"_blank\"\u003eThe Ricitic\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"One of the great Ellington albums, one of the great Hawkins albums and one of the great albums of the 1960s.\" — The New York Times\u003c\/p\u003e\n\u003cp\u003eEven though Duke Ellington and Coleman Hawkins had both been well-known jazzmen since the early 1920s and continued to be successful until their deaths, their only recorded encounter was the LP Duke Ellington Meets Coleman Hawkins (Impulse AS-26), taped in 1962 and presented here in its entirety.\u003c\/p\u003e\n\u003cp\u003eHawkins had been an admirer of Duke Ellington's music for at least 35 years at this point and Ellington had suggested they record together at least 20 years prior to their actual meeting in 1962. Although it would have been preferable to hear the tenor sax great performing with the full orchestra, his meeting with Ellington and an all-star group taken out of the big band does feature such greats as Ray Nance on cornet and violin, trombonist Lawrence Brown, altoist Johnny Hodges, and baritonist Harry Carney. High points include an exuberant \"The Jeep Is Jumpin',\" an interesting remake of \"Mood Indigo,\" and a few new Ellington pieces. This delightful music is recommended in one form or another.\u003c\/p\u003e\n\u003cp\u003eRecorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey, on August 18, 1962 and released in February 1963 by Impulse! Records.\u003c\/p\u003e\n\u003cp\u003eMusicians:\u003cbr\u003eColeman Hawkins, tenor sax\u003cbr\u003eDuke Ellington, piano\u003cbr\u003eRay Nance, cornet and violin\u003cbr\u003eJohnny Hodges, alto sax\u003cbr\u003eHarry Carney, baritone sax and bass clarinet\u003cbr\u003eAaron Bell, bass\u003cbr\u003eSam Woodyard, drums\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44438095003748,"sku":"VRIC034","price":4900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/DUKEELLINGTONMEETSCOLEMANHAWKINS.jpg?v=1739687960"},{"product_id":"duke-ellington-and-johnny-hodges-back-to-back","title":"DUKE ELLINGTON AND JOHNNY HODGES - BACK TO BACK","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=aysOUiF8R_4\u0026amp;list=PLKjjIa7cwTkKDtcMSoJ5F_ftFZpVnMt3k\" target=\"_blank\" rel=\"noopener\"\u003eWabash Blues\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=hLt63R_m_Sk\u0026amp;list=PLKjjIa7cwTkKDtcMSoJ5F_ftFZpVnMt3k\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eBasin Street Blues\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Td7NRGWyMr0\u0026amp;list=PLKjjIa7cwTkKDtcMSoJ5F_ftFZpVnMt3k\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eBeale Street Blues\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=XB-J2Bly0T0\u0026amp;list=PLKjjIa7cwTkKDtcMSoJ5F_ftFZpVnMt3k\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eWeary Blues\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=1psLeKGBXUc\u0026amp;list=PLKjjIa7cwTkKDtcMSoJ5F_ftFZpVnMt3k\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eSt. Louis Blues\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=VCM6wQvjTKU\u0026amp;list=PLKjjIa7cwTkKDtcMSoJ5F_ftFZpVnMt3k\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eLoveless Love\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=sOeaEj1nCyM\u0026amp;list=PLKjjIa7cwTkKDtcMSoJ5F_ftFZpVnMt3k\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eRoyal Garden Blues\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSeveral times in his career star alto-saxophone soloist Johnny Hodges struck out on his own, only to return each time to Duke Ellington's band. There seemed to be a constant tension between them, though it was old hat by the time of this recording. In the enclosed notes, critic Michael Ullman examines this complex relationship, suggesting that the blues classics chosen for this program may have been neutral ground. A place where Ellington's unique piano playing could come to the fore and Hodges' irrepressible sensuality could have free rein. This is one of the very best small-group records Ellington ever made — a relaxed, perfectly integrated set of music that truly swings the blues. This Hybrid SACD plays in both CD and SACD players, as well as all SACD-compatible DVD players.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eOriginally released in 1959.\u003c\/p\u003e\n\u003cp\u003eDuke Ellington, piano\u003cbr\u003eJohnny Hodges, alto saxophone\u003cbr\u003eHarry \"Sweets\" Edison, trumpet\u003cbr\u003eLes Spann, guitar\u003cbr\u003eAl Hall, bass\u003cbr\u003eSam Jones, bass\u003cbr\u003eJo Jones, drums\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44438100181092,"sku":"VRIC035","price":3299.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/DUKEELLINGTONANDJOHNNYHODGES-BACKTOBACK.jpg?v=1739688319"},{"product_id":"duke-ellington-and-johnny-hodges-2-lps-back-to-back","title":"DUKE ELLINGTON AND JOHNNY HODGES 2 LP'S - BACK TO BACK","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 - Wabash Blues\u003cbr\u003eWritten-By – Ringle*, Meinken*\u003cbr\u003eA2 - Basin Street Blues\u003cbr\u003eWritten-By – Williams*\u003cbr\u003eA3 - Beale Street Blues\u003cbr\u003eWritten-By – Handy*\u003cbr\u003eB1 - Weary Blues\u003cbr\u003eWritten-By – Mathews*\u003cbr\u003eB2 - St. Louis Blues\u003cbr\u003eWritten-By – Handy*\u003cbr\u003eB3 - Loveless Love\u003cbr\u003eWritten-By – Handy*\u003cbr\u003eB4 - Royal Garden Blues\u003cbr\u003eWritten-By – Williams*, Williams*\u003cbr\u003eC1 - Stompy Jones\u003cbr\u003eWritten-By – Ellington*\u003cbr\u003eC2 - Squeeze Me\u003cbr\u003eWritten-By – Williams*, Waller*\u003cbr\u003eC3 - Big Shoe\u003cbr\u003eWritten-By – Hamilton*\u003cbr\u003eC4 - Going Up\u003cbr\u003eWritten-By – Ellington*\u003cbr\u003eD1 - Just A Memory\u003cbr\u003eWritten-By – DeSylva - Brown - Henderson*\u003cbr\u003eD2 - Let's Fall In Love\u003cbr\u003eWritten-By – Arlen*, Koehler*\u003cbr\u003eD3 - Ruint\u003cbr\u003eWritten-By – Ellington*, Hodges*\u003cbr\u003eD4 - Bend One\u003cbr\u003eWritten-By – Hodges*\u003cbr\u003eD5 - You Need To Rock\u003cbr\u003eWritten-By – Hodges*\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44438112764004,"sku":"VRIC036","price":10999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/1_6d81bf26-eed3-4c69-8f72-4d9d7ca00af9.jpg?v=1726256280"},{"product_id":"duke-ellington-2-lps-masterpieces","title":"JUNIOR WELLS CHICAGO BLUES BAND 2 LP'S - HOODOO MAN BLUES","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=M6TwTmFbEd4\u0026amp;list=PLL-NbN8uTOijR_fFDGIk_7nhPnIAyTxbk\" target=\"_blank\" rel=\"noopener\"\u003eSnatch It Back and Hold It\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=rcim1cbWXqQ\u0026amp;list=PLL-NbN8uTOijR_fFDGIk_7nhPnIAyTxbk\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eShips On the Ocean\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=xrGIB1eBL9Y\u0026amp;list=PLL-NbN8uTOijR_fFDGIk_7nhPnIAyTxbk\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eGood Morning Little School Girl\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=65LgvZve8QE\u0026amp;list=PLL-NbN8uTOijR_fFDGIk_7nhPnIAyTxbk\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eHound Dog\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=3aYbeNXzGbM\u0026amp;list=PLL-NbN8uTOijR_fFDGIk_7nhPnIAyTxbk\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eIn The Wee Hours of the Morning\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=-hzaiEgSjDs\u0026amp;list=PLL-NbN8uTOijR_fFDGIk_7nhPnIAyTxbk\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eHay Lawdy Mama\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=02ocJTprq-c\u0026amp;list=PLL-NbN8uTOijR_fFDGIk_7nhPnIAyTxbk\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eHooddoo Man Blues\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=yRk3Wb-KOpk\u0026amp;list=PLL-NbN8uTOijR_fFDGIk_7nhPnIAyTxbk\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eEarly in the Morning\u003c\/a\u003e\u003cbr\u003e9. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=3ako6R7yrgs\u0026amp;list=PLL-NbN8uTOijR_fFDGIk_7nhPnIAyTxbk\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eWe're Ready\u003c\/a\u003e\u003cbr\u003e10. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=LvnHuFt8cNY\u0026amp;list=PLL-NbN8uTOijR_fFDGIk_7nhPnIAyTxbk\u0026amp;index=10\" target=\"_blank\" rel=\"noopener\"\u003eYou Don't Love Me, Baby\u003c\/a\u003e\u003cbr\u003e11. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=shlwT1OxVuk\u0026amp;list=PLL-NbN8uTOijR_fFDGIk_7nhPnIAyTxbk\u0026amp;index=11\" target=\"_blank\" rel=\"noopener\"\u003eChiltin Con Carne\u003c\/a\u003e\u003cbr\u003e12. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Gy5DFOo6Ar8\u0026amp;list=PLL-NbN8uTOijR_fFDGIk_7nhPnIAyTxbk\u0026amp;index=12\" target=\"_blank\" rel=\"noopener\"\u003eYonders Wall\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"This viscerally punchy electric blues is anchored by unimprovable harp playing from Junior Wells, a young Buddy Guy by his side. From the kick of up-tempo numbers like \"Snatch It Back and Hold It\" to the deep, sexy, slow moan of \"Early in the Morning,\" you just can't top this. Current audiophile bona fides are in excellent order, thanks to fine remastering by Kevin Gray and Analogue Productions for 45 RPM, LP, SACD\/CD, and DSD download.\" — Sasha Matson, Stereophile's Records To Die For, February 2018\u003c\/p\u003e\n\u003cp\u003e\"...this album is DYNOMITE and this pressing is sweet. A truly great album done truly well.\" Music = 11\/11; Sound = 10\/11 - Mark Schlack\u003c\/p\u003e\n\u003cp\u003eOne of the all-time great urban blues records and the best-seller in the famed Delmark catalog. Hoodoo Man Blues is so full of bravado and snap it'll make you feel tough just listening to it. Not all of the Delmark titles were recorded very well, but this one certainly was. And at 45 RPM 2LP, plated and pressed at Quality Record Pressings, this now stands as the undisputed definitive version. For 2020 we've added a redesigned gatefold jacket with new artwork, plus, additional liner notes from Jim O'Neal, co-founder of Living Blues Magazine.\u003c\/p\u003e\n\u003cp\u003eHoodoo Man Blues, which features Buddy Guy on guitar, is not only Junior Wells' first LP appearance, it's damn near the first LP by a Chicago blues band. Chess and a few other labels had reissued 45s by Muddy Waters, Sonny Boy Williamson, Howlin' Wolf, Jimmy Reed, Elmore James, etc., but virtually no one had tried to capture the Chicago blues sound free of the limitations of juke box\/airplay promotion. Hoodoo Man Blues went a long way in the popularization of real Chicago blues and of Junior Wells.\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1965.\u003c\/p\u003e\n\u003cp\u003eJunior Wells, harmonica, vocals\u003cbr\u003eBuddy Guy, guitar\u003cbr\u003eJack Myers, bass\u003cbr\u003eBilly Warren, drums\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44438123479140,"sku":"VRIC038","price":8400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/JuniorWells-HoodooManBlues.jpg?v=1739688582"},{"product_id":"louis-armstrong-meets-oscar-peterson","title":"LOUIS ARMSTRONG  - MEETS OSCAR PETERSON","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 1\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=epPHN1x8r1c\u0026amp;list=PL7gp579CMkT-eSLjEI7RPw84VNxG--S4m\" target=\"_blank\" rel=\"noopener\"\u003eThat Old Feeling\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=mcibi_ccUVs\u0026amp;list=PL7gp579CMkT-eSLjEI7RPw84VNxG--S4m\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eLet's Fall in Love\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=ivTx9GZAQtM\u0026amp;list=PL7gp579CMkT-eSLjEI7RPw84VNxG--S4m\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eI'll Never Be the Same\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=9T6N73FtpeQ\u0026amp;list=PL7gp579CMkT-eSLjEI7RPw84VNxG--S4m\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eBlues in the Night (My Mama Done Tol' Me)\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=ywuLws7UcQs\u0026amp;list=PL7gp579CMkT-eSLjEI7RPw84VNxG--S4m\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eHow Long Has This Been Going On?\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=_4kEmMqlDR4\u0026amp;list=PL7gp579CMkT-eSLjEI7RPw84VNxG--S4m\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eI Was Doing All Right\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 2\u003c\/strong\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=j36uiEPfnzE\u0026amp;list=PL7gp579CMkT-eSLjEI7RPw84VNxG--S4m\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eWhat's New?\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=g7AdqfdhHl4\u0026amp;list=PL7gp579CMkT-eSLjEI7RPw84VNxG--S4m\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eMoon Song\u003c\/a\u003e\u003cbr\u003e9. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=6lpgAe6SDQU\u0026amp;list=PL7gp579CMkT-eSLjEI7RPw84VNxG--S4m\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eJust One of Those Things\u003c\/a\u003e\u003cbr\u003e10. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=P9PqDOS7m1s\u0026amp;list=PL7gp579CMkT-eSLjEI7RPw84VNxG--S4m\u0026amp;index=10\" target=\"_blank\" rel=\"noopener\"\u003eThere's No You\u003c\/a\u003e\u003cbr\u003e11. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=_VJkCO56fos\u0026amp;list=PL7gp579CMkT-eSLjEI7RPw84VNxG--S4m\u0026amp;index=11\" target=\"_blank\" rel=\"noopener\"\u003eYou Go To My Head\u003c\/a\u003e\u003cbr\u003e12. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=uTdQ5o_6uLM\u0026amp;list=PL7gp579CMkT-eSLjEI7RPw84VNxG--S4m\u0026amp;index=12\" target=\"_blank\" rel=\"noopener\"\u003eSweet Lorraine\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Recorded in July and October of 1957 by Verve's house recording engineer Val Valentin, the album was released in mono in 1959, followed shortly thereafter by a stereo release. This reissue comes from Universal Music, who have retained Acoustic Sounds to select titles, master and press them. Despite the mono cover and labels, it is in stereo. It has some of the attributes of early stereo. Armstrong is in the middle with piano in the left channel, bass, and guitar in the right channel. However, unlike many stereo recordings of the 1950s, the three channels are well blended, and there are no vast gaps of air between the soloist and instruments. Indeed, the presentation is far superior to my original mono copy which sounds flat and uninvolving by comparison. It is not as great sounding as the Ella collaboration albums, as Armstrong stands too close to the microphone, adding some modest overload at points. The mastering, by Ryan Smith of Sterling Sound, adds sparkle and texture which are missing with the original. The 180-gram pressing is beautifully flat and quiet — an outstanding musical performance with improved sound — just what a reissue should provide.\" Recording = 8\/10; Music = 9\/10 - Dennis D. Davis, Hi-Fi +, Issue 189\u003c\/p\u003e\n\u003cp\u003ePlease note: This recording does include some vocal parts that will sound sibilant when played by some cartridges. This is not a pressing defect. It is in the recording. Michael Fremer of Analog Planet described it this way: \"Unfortunately, Armstrong sings too close to the microphone and on a few vocal punctuations oversaturates the tape, which produces some genuinely nasty, though fleeting distortion (it's not mistracking).\" (https:\/\/www.analogplanet.com\/content\/louis-armstrong-meets-oscar-peterson-%C2%A0-and-love-mutual)\u003c\/p\u003e\n\u003cp\u003e\"The 1959 session Louis Armstrong Meets Oscar Peterson is a result of Verve founder Norman Granz’s desire to bring together musicians from different backgrounds. (He produced the Jazz at the Philharmonic jam sessions.) Oscar Peterson, he believed, could fit in anywhere. Although this LP isn’t my favorite Armstrong from the period, Granz (whose name in the original notes is misspelled 'Grans') makes his point. The twelve ballads recorded here include numbers Armstrong had never previously recorded. The emphasis is on Armstrong’s vocals. When he takes a trumpet solo, he sounds almost polite, as if unwilling to burst the bubble of the recording studio. Peterson is garrulous as usual, but doesn’t offer the kind of  robust counterweight Armstrong is used to with his All Stars. There are no blues, but the songs are top notch. The record begins with 'That Old Feeling.' When Armstrong starts to sing, all is forgiven. He is just there, startlingly present. He’s my favorite male jazz singer: I even like the way he clears his throat on 'Let’s Fall in Love.'\" — Michael Ullman, The Arts Fuse, Sept. 24, 2020. Read the entire review here.\u003c\/p\u003e\n\u003cp\u003e\"Louis, then in his mid ‘50s, and the all-star backing band cover a dozen familiar tunes including 'That Old Feeling,' 'Let's Fall In Love' (in which Louis takes a solo an octave up from what's expected), 'Just One of Those Things,' and 'What's New.' ... (this is a) thoroughly enjoyable and otherwise well-recorded Armstrong set. Louis Armstrong Meets Oscar Peterson provides a guaranteed emotional pick-up in genuinely dreary times. The sealed review copy was perfectly pressed at QRP and 100% silent, with the super-black backgrounds that QRP manages when all goes well in their presses.\" — Michael Fremer, AnalogPlanet.com. Read the entire review here.\u003c\/p\u003e\n\u003cp\u003e\"In the second reissue of the Acoustic Sound Series, Universal Music Group has done a stellar job in re-mastering Louis Armstrong Meets Oscar Peterson to 180-gram vinyl. The new mix (Ryan Smith\/Sterling Sound) is especially appealing. Armstrong's edgy vocal tonality is more smooth and fluent, centered directly. Instrumentation never overshadows the singing. A hi-gloss gatefold packaging and upgraded protective sleeve underscore the superior quality of this series. (Chad Kassem\/Acoustic Sounds).\" — 4.5\/5 stars \/ Robbie Gerson, Audiophile Audition, Aug. 12, 2020. Read the entire review here.\u003c\/p\u003e\n\u003cp\u003eSeeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series will launch July 31, 2020 with inaugural releases — the sensational collaborations, Stan Getz and João Gilberto's landmark Getz\/Gilberto (1964) and the remarkable Louis Armstrong Meets Oscar Peterson (1959).\u003c\/p\u003e\n\u003cp\u003eUtilizing the skills of the top mastering engineers and the unsurpassed production craft of Quality Record Pressings, all titles will be mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases will be supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\u003c\/p\u003e\n\u003cp\u003eThe Acoustic Sounds series will feature two releases a month highlighting a different storied label spanning Verve\/UMe's extraordinarily rich archive. To begin with, the series will largely focus on some of the most popular albums from the ‘50s and ‘60s in their unmatched catalog. The July releases will celebrate two of Verve's most beloved albums, the aforementioned Getz\/Gilberto and Louis Armstrong Meets Oscar Peterson, and will be followed in August by John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Two of Nina Simone's legendary Phillips albums I Put A Spell On You (1965) and Pastel Blues (1965) will come in September which will be succeeded in October by two from the EmArcy Records vault: Sarah Vaughan's self-titled 1954 album, the vocal great's sole collaboration with influential trumpeter Clifford Brown, who is also represented alongside pioneering drummer Max Roach on the hard bop classic, Study In Brown (1955). November will spotlight Decca Records with the iconic Peggy Lee's first album, Black Coffee (1956), and composer George Russell's important New York, N.Y. (1959) performed by an all-star orchestra that includes Bill Evans, John Coltrane, Art Farmer and Milt Hinton, among others. All titles and exact release dates are listed below. Additional titles will be announced as the series progresses.\u003c\/p\u003e\n\u003cp\u003e\"We are excited to launch our Acoustic Sounds series,\" said Bruce Resnikoff, President \u0026amp; CEO of UMe. \"Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality.\"\u003c\/p\u003e\n\u003cp\u003e\"We're very honored to have Verve and UME partnering with us to create what we believe will be the highest quality reissues of some of the world's greatest jazz albums. Each step in our production process — from title selection to mastering, pressing and packaging — is designed to meet the highest standards, and we want everyone who hears these albums to feel the love and hard work we put into everything we do,\" Kassem said. \"We've long had a great relationship with UME, pressing classic titles at our Quality Record Pressings from many of their highest-profile artists. We look forward to strengthening that partnership even further with these reissues from Verve, home of the world's largest jazz catalog.\"\u003c\/p\u003e\n\u003cp\u003eLouis Armstrong Meets Oscar Peterson is a brilliant undertaking in which Verve's legendary \"house pianist\" encountered one of jazz's most revered giants. A significant part of Peterson's genius was his ability to be an exceptional pianist and leader, while also being a perfect accompanist when the circumstance demands... and in a situation like this, to be both. Armstrong is not only recognized as one of the most innovative, singular, fascinating and beloved artists of the 20th century, but also one of the most generous in the way he embraced and stimulated his collaborators. Backed by the Oscar Peterson Trio — bassist Ray Brown and guitarist Herb Ellis, and augmented by frequent fourth member Louis Bellson on drums — these peerless heavyweights created an album that is utterly compelling, radiantly jubilant and consummate in artistry.\u003c\/p\u003e\n\u003cp\u003eThe musicians provided the setting for the jewel that is Pops, with Peterson perfectly embellishing every phrase Armstrong sings or plays. The focus here is primarily upon his totally personal and thoroughly captivating vocal style, with his occasional trumpet solos limited in all but one case to a single chorus. Essentially culled from the Great American Song Book — Cole Porter, the Gershwins and Harold Arlen among the songwriters — the pieces range from poignant ballads and blues to effusive easy-grooved swing. Each song is an exquisitely crafted gem that will warm the heart and enrich the soul.\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44441004900452,"sku":"VRIC040","price":3299.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/LOUISARMSTRONG-MEETSOSCARPETERSON.jpg?v=1739689865"},{"product_id":"louis-armstrong-and-duke-ellengton-recording-togather-for-the-first-time","title":"LOUIS ARMSTRONG AND DUKE ELLENGTON - RECORDING TOGATHER FOR THE FIRST TIME","description":"\u003cp\u003e\u003cstrong\u003eTrack Listing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=gG2iFEMybVQ\u0026amp;list=PLa1rC97wRkZgpBTWQSPt81ngvpwO8I4mb\" target=\"_blank\" rel=\"noopener\"\u003eDuke's Place\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=JpRKwxXjTWM\u0026amp;list=PLa1rC97wRkZgpBTWQSPt81ngvpwO8I4mb\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eI'm Just A Lucky So And So\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=nxSraG-RVYY\u0026amp;list=PLa1rC97wRkZgpBTWQSPt81ngvpwO8I4mb\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eCotton Tail\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=GvDygojFqc4\u0026amp;list=PLa1rC97wRkZgpBTWQSPt81ngvpwO8I4mb\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eMood Indigo\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=spTvnv_2ApQ\u0026amp;list=PLa1rC97wRkZgpBTWQSPt81ngvpwO8I4mb\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eDo Nothin' Till You Hear From Me\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=yhVUeHwejq4\u0026amp;list=PLa1rC97wRkZgpBTWQSPt81ngvpwO8I4mb\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eThe Beautiful American\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Mzj1cpDE_Mo\u0026amp;list=PLa1rC97wRkZgpBTWQSPt81ngvpwO8I4mb\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eBlack And Tan Fantasy\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Oxt8c9cDXYU\u0026amp;list=PLa1rC97wRkZgpBTWQSPt81ngvpwO8I4mb\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eDrop Me Off In Harlem\u003c\/a\u003e\u003cbr\u003e9. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=QFhzuazPjEU\u0026amp;list=PLa1rC97wRkZgpBTWQSPt81ngvpwO8I4mb\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eThe Mooche\u003c\/a\u003e\u003cbr\u003e10.\u003ca href=\"https:\/\/www.youtube.com\/watch?v=Cw3hNuQ_FPk\u0026amp;list=PLa1rC97wRkZgpBTWQSPt81ngvpwO8I4mb\u0026amp;index=10\" target=\"_blank\" rel=\"noopener\"\u003e In A Mellowtone\u003c\/a\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44441016238180,"sku":"VRIC041","price":3699.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/LOUISARMSTRONGANDDUKEELLENGTON-RECORDINGTOGATHERFORTHEFIRSTTIME.jpg?v=1739690102"},{"product_id":"ella-fitzgerald-and-louis-armstrong-cheek-to-cheek","title":"ELLA FITZGERALD AND LOUIS ARMSTRONG - CHEEK TO CHEEK","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=bmAuEJ3XC2w\u0026amp;list=PLw6HGnp1JjlNC3f76LAGXsnhIJq24GRrB\" target=\"_blank\" rel=\"noopener\"\u003eCan't We Be Friends\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=y9VefyhvzcM\u0026amp;list=PLw6HGnp1JjlNC3f76LAGXsnhIJq24GRrB\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eIsn't This A Lovely Day?\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=jMYOwyiF4JI\u0026amp;list=PLw6HGnp1JjlNC3f76LAGXsnhIJq24GRrB\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eMoonlight In Vermont\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=-rN9ddNR-_g\u0026amp;list=PLw6HGnp1JjlNC3f76LAGXsnhIJq24GRrB\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eThey Can't Take That Away From Me\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=aJKgEj_2GEs\u0026amp;list=PLw6HGnp1JjlNC3f76LAGXsnhIJq24GRrB\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eUnder A Blanket Of Blue\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=IsVQL1VXkfY\u0026amp;list=PLw6HGnp1JjlNC3f76LAGXsnhIJq24GRrB\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eTenderly\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=mZ217UUL-Fc\u0026amp;list=PLw6HGnp1JjlNC3f76LAGXsnhIJq24GRrB\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eA Foggy Day\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=lee7ZeAVUOE\u0026amp;list=PLw6HGnp1JjlNC3f76LAGXsnhIJq24GRrB\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eStars Fell On Alabama\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=20iOlPwz0J0\u0026amp;list=PLw6HGnp1JjlNC3f76LAGXsnhIJq24GRrB\u0026amp;index=10\" target=\"_blank\" rel=\"noopener\"\u003eCheek To Cheek\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=K_-czO0-SeI\u0026amp;list=PLw6HGnp1JjlNC3f76LAGXsnhIJq24GRrB\u0026amp;index=11\" target=\"_blank\" rel=\"noopener\"\u003eThe Nearness Of You\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Svzqe_2t9YE\u0026amp;list=PLw6HGnp1JjlNC3f76LAGXsnhIJq24GRrB\u0026amp;index=12\" target=\"_blank\" rel=\"noopener\"\u003eApril In Paris\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"As with all the Acoustic Sounds releases I've reviewed here on Analog Planet thus far, this new production company is exemplary overall. The pressing is top-notch, manufactured on thick, dark black 180-gram vinyl that is quiet and well-centered. Overall, Ella's warm, melted-buttery voice makes for a tasty contrast when poured over Pops' more angular salty popcorn-crunch vocals. Add in Satch's rich round trumpet playing, and you've got the formula for a sweet sonic taste sensation.\" — Music = 10\/11; Sound = 8\/11 — Mark Smotroff, AnalogPlanet.com. To read the full review click here.\u003c\/p\u003e\n\u003cp\u003e\"The classic jazz album that brought Ella Fitzgerald and Louis Armstrong together for the first time as they recorded their version of extraordinary standards.\" — Wax Time\u003c\/p\u003e\n\u003cp\u003eThe evening before Louis Armstrong recorded this album, both he and Miss Fitzgerald were appearing in an all-star concert also featuring Art Tatum and Oscar Peterson that was recorded for an album titled Live At The Hollywood Bowl (1956). The following day the two singers, along with the Oscar Peterson Trio, were in a Los Angeles studio to record this gem of an album.\u003c\/p\u003e\n\u003cp\u003eWith no time for rehearsals the songs were all set in Louis' key to make it easier, but this in no way inhibits Ella's performance. Another challenge for Pops was the fact that the material was not his normal repertoire, meaning he had to learn things on the fly in the studio. Again there's no hint of any issues, which all goes to highlight Armstrong's innate musical ability.\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44441026953316,"sku":"VRIC043","price":5900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/ELLAFITZGERALDANDLOUISARMSTRONG-CHEEKTOCHEEK.jpg?v=1739690658"},{"product_id":"cannonball-adderley-somethin-else","title":"CANNONBALL ADDERLEY - SOMETHIN ELSE","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=u37RF5xKNq8\u0026amp;list=PLTIb4fKCEAevQGcDKFIXdimOXsMK4uVNv\" target=\"_blank\" rel=\"noopener\"\u003eAutumn Leaves\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=4tSYXpq2kW0\u0026amp;list=PLTIb4fKCEAevQGcDKFIXdimOXsMK4uVNv\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eLove For Sale\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=wZntfxmi3pk\u0026amp;list=PLTIb4fKCEAevQGcDKFIXdimOXsMK4uVNv\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eSomethin’ Else\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Ut5qbImhS9s\u0026amp;list=PLTIb4fKCEAevQGcDKFIXdimOXsMK4uVNv\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eOne For Daddy-O\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=wsxcZ8qNCAQ\u0026amp;list=PLTIb4fKCEAevQGcDKFIXdimOXsMK4uVNv\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eDancing In The Dark\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescrition:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlready a talented performer on his own, Cannonball Adderley paid the rent mostly as a sideman for Miles Davis in 1958. Their relationship was a strong one and Miles and a few other legendary friends agreed to play sidemen for a day to the rising Cannonball.\u003c\/p\u003e\n\u003cp\u003eThe musical chemistry was killer. With Cannonball on the alto sax and Miles on the trumpet, the group rounded out with giants Art Blakey on drums and Sam Jones on bass. Hank Jones on the piano was no slouch, either. With composing help from Cannonball's brother Nat, this super group tackled new material and old standards in new ways that are still captivating. Songs include \"Autumn Leaves,\" \"Love for Sale,\" \"Somethin' Else,\" \"One for Daddy-O\" and \"Dancing in the Dark.\" This Blue Note Classic Vinyl Edition is 180-gram all-analog, mastered from the original tapes.\u003c\/p\u003e\n\u003cp\u003eMusicians:\u003cbr\u003eCannonball Adderley, alto saxophone\u003cbr\u003eMiles Davis, trumpet\u003cbr\u003eHank Jones, piano\u003cbr\u003eSam Jones, bass\u003cbr\u003eArt Blakey, drums\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44441040388196,"sku":"VRIC044","price":3995.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/CANNONBALLADDERLEY-SOMETHINELSE.jpg?v=1739691681"},{"product_id":"art-pepper-eleven-modern-jazz-classics","title":"ART PEPPER +ELEVEN - MODERN JAZZ CLASSICS","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=_A5KhHRIoQQ\u0026amp;list=PLhLzd-nABj2vYsJNdy77jogSHNqeTK6g1\" target=\"_blank\" rel=\"noopener\"\u003eMove\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=0gs_OnLrtmM\u0026amp;list=PLhLzd-nABj2vYsJNdy77jogSHNqeTK6g1\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eGroovin' High\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=VMISSvhL8hk\u0026amp;list=PLhLzd-nABj2vYsJNdy77jogSHNqeTK6g1\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eOpus De Funk\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=z3crfXk2L1Y\u0026amp;list=PLhLzd-nABj2vYsJNdy77jogSHNqeTK6g1\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003e'Round Midnight\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=9Sy65KTziTA\u0026amp;list=PLhLzd-nABj2vYsJNdy77jogSHNqeTK6g1\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eFour Brothers\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Q3eeqB5kEeQ\u0026amp;list=PLhLzd-nABj2vYsJNdy77jogSHNqeTK6g1\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eShawnuff\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=5BiU4fJ0kvs\u0026amp;list=PLhLzd-nABj2vYsJNdy77jogSHNqeTK6g1\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eBernie's Tune\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=2UljguDI84Q\u0026amp;list=PLhLzd-nABj2vYsJNdy77jogSHNqeTK6g1\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eWalkin' Shoes\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=P8q7HVlzf28\u0026amp;list=PLhLzd-nABj2vYsJNdy77jogSHNqeTK6g1\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eAnthropology\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=GlHBFcYOc4U\u0026amp;list=PLhLzd-nABj2vYsJNdy77jogSHNqeTK6g1\u0026amp;index=10\" target=\"_blank\" rel=\"noopener\"\u003eAiregin\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Y_LUflop_xY\u0026amp;list=PLhLzd-nABj2vYsJNdy77jogSHNqeTK6g1\u0026amp;index=11\" target=\"_blank\" rel=\"noopener\"\u003eWalkin\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=ZFlEQoJqx68\u0026amp;list=PLhLzd-nABj2vYsJNdy77jogSHNqeTK6g1\u0026amp;index=12\" target=\"_blank\" rel=\"noopener\"\u003eDonna Lee\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescriptions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCraft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which begins with six album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\u003c\/p\u003e\n\u003cp\u003eEach title, originally engineered by Roy DuNann and\/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180-gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\u003c\/p\u003e\n\u003cp\u003eThe series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\u003c\/p\u003e\n\u003cp\u003eKicking off the series is Art Pepper's +Eleven: Modern Jazz Classics. Throughout the 1950s, '60s and '70s, Lester Koenig's artist-friendly Los Angeles-based audiophile jazz label documented career-defining performances by some of modern jazz's most influential and accomplished improvisers, including Ornette Coleman, Sonny Rollins, Harold Land and Benny Golson. No musician is more closely identified with Contemporary than Pepper, whose cool tone and simmering lyricism made him one of the very few mid-century alto saxophonists to forge a path independent of bebop patriarch Charlie Parker's pervasive influence.\u003c\/p\u003e\n\u003cp\u003eProduced by Koenig and recorded in 1959, Art Pepper +Eleven: Modern Jazz Classics is one of the saxophonist's masterpieces. Featuring brilliant arrangements by Marty Paich, the album elaborates on the lush but lithe sound introduced by the epochal Birth of the Cool sessions, which Miles Davis started to record almost exactly a decade earlier (like Birth, +Eleven kick offs with Denzil Best's \"Move\"). Surrounded by the cream of the LA scene, including fellow saxophone masters Herb Geller, Bill Perkins and Med Flory, Pepper brings all his scorching lyricism to a program of modern jazz standards by Horace Silver, Thelonious Monk, Gerry Mulligan and Sonny Rollins.\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44441054806116,"sku":"VRIC045","price":3990.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/ARTPEPPER_ELEVEN-MODERNJAZZCLASSICS.jpg?v=1739692144"},{"product_id":"jimmy-smith-back-at-the-chicken-shack","title":"JIMMY SMITH - BACK AT THE CHICKEN SHACK","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=SuMd8ldLqxo\u0026amp;list=PLGJtQC4v7_3ruKgCfnFo0tgYxofttEtOV\" target=\"_blank\" rel=\"noopener\"\u003eBack At The Chicken Shack\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=EiXhtuH3LLQ\u0026amp;list=PLGJtQC4v7_3ruKgCfnFo0tgYxofttEtOV\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eWhen I Grow Too Old To Dream\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=KZ6MN9dutMg\u0026amp;list=PLGJtQC4v7_3ruKgCfnFo0tgYxofttEtOV\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eMinor Chant\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=OPQg6D3yckw\u0026amp;list=PLGJtQC4v7_3ruKgCfnFo0tgYxofttEtOV\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eMessy Bessie\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJimmy Smith was a self-taught pianist who helped popularize the Hammond B3 organ with a revolutionary style that caught the ear of Alfred Lion at Blue Note who later dubbed him The Incredible Jimmy Smith. Back At The Chicken Shack was recorded at Rudy Van Gelder's studio in 1960 with Stanley Turrentine on tenor saxophone, Kenny Burrell on guitar, and Donald Bailey on drums.\u003c\/p\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Reissue Series edition is 180-gram all-analog, mastered from the original tapes.\u003c\/p\u003e\n\u003cp\u003eMusicians:\u003cbr\u003eJimmy Smith, Hammond B3 organ\u003cbr\u003eStanley Turrentine, tenor saxophone\u003cbr\u003eKenny Burrell, guitar\u003cbr\u003eDonald Bailey, drums\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44441058607204,"sku":"VRIC046","price":4800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/JIMMYSMITH-BACKATTHECHICKENSHACK.jpg?v=1739695243"},{"product_id":"shostakovich-ricardo-chally-the-jazz-album","title":"SHOSTAKOVICH\/ RICARDO CHALLY - THE JAZZ ALBUM","description":"\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=zZ6dWoQut_0\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\" target=\"_blank\" rel=\"noopener\"\u003eWaltz\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=trf_QdG65RE\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003ePolka\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=rcrOtQSRKfY\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eFoxtrot\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=L97TI5zApDI\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eAllegretto\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=d3RxZOsWQX4\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eLento\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=k9gWa4EZqgw\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eModerato\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=r-JYTFW_O5I\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eAllegro Con Brio\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=uMNkYynu2hU\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eMarch\u003c\/a\u003e\u003cbr\u003e9. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=FOXL9eRD5bE\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eLyric Waltz\u003c\/a\u003e\u003cbr\u003e10. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=GRw_wz_CUes\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=10\" target=\"_blank\" rel=\"noopener\"\u003eDance\u003c\/a\u003e\u003cbr\u003e11. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=1ugCmGbDyC4\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=11\" target=\"_blank\" rel=\"noopener\"\u003eWaltz\u003c\/a\u003e\u003cbr\u003e12. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=dnS6hToC2NA\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=12\" target=\"_blank\" rel=\"noopener\"\u003eLittle Polka\u003c\/a\u003e\u003cbr\u003e13. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=WaKdPgkTZ7M\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=13\" target=\"_blank\" rel=\"noopener\"\u003eWaltz II \u003c\/a\u003e\u003cbr\u003e14. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=C6iwZ7h0HN8\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=14\" target=\"_blank\" rel=\"noopener\"\u003eDance II\u003c\/a\u003e\u003cbr\u003e15. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=som0RvxTwaA\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=15\" target=\"_blank\" rel=\"noopener\"\u003eFinale\u003c\/a\u003e\u003cbr\u003e16. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=05jtSVUVp6E\u0026amp;list=PLfPZvIvKEmV1aPLsGk54uv7g6v114IbwD\u0026amp;index=16\" target=\"_blank\" rel=\"noopener\"\u003eTahiti Trot\u003c\/a\u003e \u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44441081446500,"sku":"VRIC047","price":2995.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/SHOSTAKOVICHRICARDOCHALLY-THEJAZZALBUM.jpg?v=1739695417"},{"product_id":"legrand-re-imagined","title":"LEGRAND - RE IMAGINED","description":"\u003cp\u003eMichel Legrand broke down the barriers between jazz, symphonic music, musical comedy, and popular music. A musical legend, three times Oscar winner, Legrand left a prolific body of work, with themes that have taken hold in the collective memory for several decades.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLegrand (re)imagined\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an elegant and contemporary tribute to the late prolific composer Michel Legrand by the world's finest composers and pianists.\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44441237815396,"sku":"VRIC049","price":3400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/LEGRAND-REIMAGINED.jpg?v=1739696099"},{"product_id":"concorde-the-modern-jazz-quartet","title":"CONCORDE - THE MODERN JAZZ QUARTET","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=eM0zHjS-sPA\u0026amp;list=PL5ae6iB5xkhGIbOlGVeJ0vuPtVYzb7ohn\" target=\"_blank\" rel=\"noopener\"\u003eRalph's New Blues\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Eo74jWhYlXY\u0026amp;list=PL5ae6iB5xkhGIbOlGVeJ0vuPtVYzb7ohn\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eAll of You\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=oCnkPY79qjM\u0026amp;list=PL5ae6iB5xkhGIbOlGVeJ0vuPtVYzb7ohn\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eI'll Remember April\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=9W-X-rph2Xc\u0026amp;list=PL5ae6iB5xkhGIbOlGVeJ0vuPtVYzb7ohn\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eGershwin Medley\u003c\/a\u003e \u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=h08f-n9-pFQ\u0026amp;list=PL5ae6iB5xkhGIbOlGVeJ0vuPtVYzb7ohn\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eSoftly, As in a Morning Sunrise\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=DMfkff4TWIA\u0026amp;list=PL5ae6iB5xkhGIbOlGVeJ0vuPtVYzb7ohn\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eConcorde\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"After issuing 10\" EPs for several years, Concorde (1955) marked two significant touchstones in the five-plus-decade career of the Modern Jazz Quartet (MJQ). One of those was the replacement of co-founder Kenny Clarke (drums) with former Lester Young quintet member Connie Kay (drums), who joined in time for the other hallmark – this, the MJQ's very first full-length long player. Kay remained with the combo for the better part of four decades, until his passing in 1994. The transition between percussionists is both smooth as well as sensible.\" – All Music Guide\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44441246629988,"sku":"VRIC050","price":4199.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/CONCORDE-THEMODERNJAZZQUARTET.jpg?v=1739696428"},{"product_id":"gil-evans-orchestra-out-of-the-cool","title":"GIL EVANS ORCHESTRA - OUT OF THE COOL","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=8SMwJjV6OuI\u0026amp;list=PLYGeKjF5faHGXfYa1Cc5a-UhgFloVUCYm\" target=\"_blank\" rel=\"noopener\"\u003eLa Nevada\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=MMLyUp-fF0I\u0026amp;list=PLYGeKjF5faHGXfYa1Cc5a-UhgFloVUCYm\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eWhere Flamingos Fly\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=2BCn2s1idQs\u0026amp;list=PLYGeKjF5faHGXfYa1Cc5a-UhgFloVUCYm\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eBilbao Song\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=V1s5XgCko6Q\u0026amp;list=PLYGeKjF5faHGXfYa1Cc5a-UhgFloVUCYm\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eStratusphunk\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=eqYq2WzQfkU\u0026amp;list=PLYGeKjF5faHGXfYa1Cc5a-UhgFloVUCYm\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eSunken Treasure\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Out Of The Cool is nearly as striking an album now as it must have been when it hit the bins in 1961. Not only is it Gil Evans' masterpiece and his best album that didn't front Miles Davis as a soloist; it's a peculiar masterpiece, stretching modal jazz to minimalist extremes yet soaking with swing. ... This Acoustic Sounds QRP pressing comes very close to the sound of the Impulse! original. Piano, percussion, guitar, bass, and horns all waft through what seems to be a vast space (perhaps the result of subtly mixed echo) with tonal colors, crisp transients, and bloom intact. Trombones lack some of the oomph heard on the original pressing, and in a few spots where horns play loud in unison, there's some distortion — a problem with the original as well. Otherwise, no complaints at all.\" — Performance = 5\/5; Sonics = 4.5\/5 - Fred Kaplan, Stereophile, August 2021. Read the entire review here.\u003c\/p\u003e\n\u003cp\u003e\"The album is worth getting for the 15 minutes of 'La Nevada' alone but the rest is equally great including the cinematic side closer 'Where Flamingoes Fly.' ... The sonics here with a cut from the master tape by Ryan K. Smith (yes, the master tape- I have a current photo that for some reason I can't share with you) are incredibly transparent, spacious and flat-out thrilling ... and somewhat brighter and less mid-band rich than the long out of print Alto-Analogue edition Bernie Grundman cut in 1997. Both are worth having for different sonic reasons and if you have a clean original Rudy Van Gelder cut (A-4) you may think you are set, but that cut is less spacious, somewhat dynamically compressed, has the RVG lower bass roll-off and is definitely less transparent — not that it's bad and some people do like the more 'in your face' excitement. This one's here now though! Do not miss it!\" — Music = 10\/11; Sound = 10\/11 - Michael Fremer, AnalogPlanet.com. To read Fremer's full review, click here.\u003c\/p\u003e\n\u003cp\u003e\"And in keeping with past releases from these folks — and the Blue Note Tone Poet releases for that matter — the results are exemplary. The pressing quality is excellent, delivering pretty much everything you could want and expect from a reissue like this: 180-gram, dark black, dead quiet and perfectly centered vinyl. Kudos again to Quality Record Pressing (QRP) for that attention to important details.\" — Mark Smotroff, Audiophile Review, May 18, 2021. Read the entire review here.\u003c\/p\u003e\n\u003cp\u003eA groundbreaking jazz recording by the longtime Miles Davis collaborator Gil Evans highlights the latter's supreme and influential skills as a jazz orchestrator.\u003c\/p\u003e\n\u003cp\u003eThis album is a brilliant example of Evans' ability to make a large orchestra sound like a smaller jazz combo using orchestrations that infuse the larger unit with the immediacy and spontaneity of the smaller. Out Of The Cool features some of Evan's finest compositions, including the famous \"La Nevada\" as well as a magnificent performance of George Russell's \"Sratosphunk.\" Soloists include Budd Johnson (tenor), Johnny Coles (trumpet), Ray Crawford (guitar), Elvin Jones (drums), Ron Carter (bass) and Jimmy Knepper (trombone). The ensemble is superbly recorded by the legendary Rudy Van Gelder. A must-have for all lovers of jazz.\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44441254985828,"sku":"VRIC051","price":4200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/GILEVANSORCHESTRA-OUTOFTHECOOL.jpg?v=1739696604"},{"product_id":"wayne-shorter-speak-no-evil","title":"WAYNE SHORTER - SPEAK NO EVIL","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A:\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=oJoSrQ6iP0c\u0026amp;list=PLL-NbN8uTOih2uI8vdKaB0Vb_1DF0XW8N\" target=\"_blank\" rel=\"noopener\"\u003eWitch Hunt\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=5bE0CZi-O8c\u0026amp;list=PLL-NbN8uTOih2uI8vdKaB0Vb_1DF0XW8N\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eFee-Fi-Fo-Fum\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=_BdSkPyNPxQ\u0026amp;list=PLL-NbN8uTOih2uI8vdKaB0Vb_1DF0XW8N\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eDance Cadaverous\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B:\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Vdc3KJVopU4\u0026amp;list=PLL-NbN8uTOih2uI8vdKaB0Vb_1DF0XW8N\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eSpeak No Evil\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=CYg_3pQN-LU\u0026amp;list=PLL-NbN8uTOih2uI8vdKaB0Vb_1DF0XW8N\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eInfant Eyes\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=CjGEYuITiVM\u0026amp;list=PLL-NbN8uTOih2uI8vdKaB0Vb_1DF0XW8N\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eWild Flower\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe year 1964 was momentous for saxophonist Wayne Shorter, starting the year in Art Blakey \u0026amp; The Jazz Messengers before making his own debut (Night Dreamer\/JuJu). He joined the Miles Davis Quintet that summer, cementing a seminal lineup in jazz history. On Christmas Eve, the transcendent Speak No Evil was created by Shorter\/Freddie Hubbard\/Herbie Hancock\/Ron Carter\/Elvin Jones. Features the sublime ballad \"Infant Eyes.\"\u003c\/p\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Reissue Series edition is 180-gram all-analog, mastered from the original tapes.\u003c\/p\u003e\n\u003cp\u003eMusicians:\u003cbr\u003eWayne Shorter, tenor saxophone\u003cbr\u003eFreddie Hubbard, trumpet\u003cbr\u003eHerbie Hancock, piano\u003cbr\u003eRon Carter, bass\u003cbr\u003eElvin Jones, drums\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44442715258980,"sku":"VRIC052","price":4499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/WAYNESHORTER-SPEAKNOEVIL.jpg?v=1739696994"},{"product_id":"johnny-hodges-soloist-billy-strayhorn-and-the-orchestra","title":"JOHNNY HODGES SOLOIST BILLY STRAYHORN AND THE ORCHESTRA","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=lR3M35ycfqY\u0026amp;list=PLyqAz2idXOaXlmjnDMYQ08LSWG6rOM7xL\" target=\"_blank\" rel=\"noopener\"\u003eDon’t Get Around Much Anymore\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=QxCkneANEvw\u0026amp;list=PLyqAz2idXOaXlmjnDMYQ08LSWG6rOM7xL\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eI’ve Got It Bad and That Ain’t Good\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=7SSmvTmj_so\u0026amp;list=PLyqAz2idXOaXlmjnDMYQ08LSWG6rOM7xL\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eGal From Joe’s\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Cu9jDNPN2XA\u0026amp;list=PLyqAz2idXOaXlmjnDMYQ08LSWG6rOM7xL\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eYour Love Has Faded\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=pyOWoH6lco4\u0026amp;list=PLyqAz2idXOaXlmjnDMYQ08LSWG6rOM7xL\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eI’m Just a Lucky So and So\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Q2JHdqnK-d0\u0026amp;list=PLyqAz2idXOaXlmjnDMYQ08LSWG6rOM7xL\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eJeep’s Blues\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=vKMlKh2EqeY\u0026amp;list=PLyqAz2idXOaXlmjnDMYQ08LSWG6rOM7xL\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eDay Dream\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Y-a9L9_0eZg\u0026amp;list=PLyqAz2idXOaXlmjnDMYQ08LSWG6rOM7xL\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eJuice A-Plenty\u003c\/a\u003e\u003cbr\u003e9. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=QBYfmLXj-qY\u0026amp;list=PLyqAz2idXOaXlmjnDMYQ08LSWG6rOM7xL\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eAzure\u003c\/a\u003e\u003cbr\u003e10. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=IYBtKF5ysSA\u0026amp;list=PLyqAz2idXOaXlmjnDMYQ08LSWG6rOM7xL\u0026amp;index=10\" target=\"_blank\" rel=\"noopener\"\u003eTailor Made\u003c\/a\u003e\u003cbr\u003e11. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=jJyTFPKjQZ8\u0026amp;list=PLyqAz2idXOaXlmjnDMYQ08LSWG6rOM7xL\u0026amp;index=11\" target=\"_blank\" rel=\"noopener\"\u003eStardust\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!\" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November\/December 2011\u003c\/p\u003e\n\u003cp\u003eRecorded during the last decade of his long tenure with the Duke Ellington Orchestra, this album finds the great alto saxophonist Johnny Hodges' musical gifts not only intact but stronger than ever. Featuring the Ellington band - with Jimmy Jones on piano and Billy Strayhorn as bandleader and arranger - it is a fascinating program of Ellington remakes, including tome of the orchestra's most familiar numbers, all of which have been given subtle new orchestrations by Strayhorn and melodious new interpretations by Hodges.\u003c\/p\u003e\n\u003cp\u003eRecorded in 1961.\u003c\/p\u003e\n\u003cp\u003eJohnny Hodges, alto saxophone\u003cbr\u003eBilly Strayhorn, arranger, conductor, performer\u003cbr\u003eCat Anderson, trumpet\u003cbr\u003eShorty Baker, trumpet\u003cbr\u003eAaron Bell, bass\u003cbr\u003eBill Berry, trumpet\u003cbr\u003eLawrence Brown, trombone\u003cbr\u003eHarry Carney, bass clarinet, baritone saxophone, bass saxophone\u003cbr\u003eChuck Conors, bass trombone\u003cbr\u003ePaul Gonsalves, tenor saxophone\u003cbr\u003eJimmy Hamilton, clarinet, tenor saxophone\u003cbr\u003eQuentin Jackson, trombone\u003cbr\u003eJimmy Jones, piano\u003cbr\u003eHoward McGhee, trumpet\u003cbr\u003eEd Mullens, trumpet\u003cbr\u003eRussell Procope, clarinet, alto saxophone\u003cbr\u003eSam Woodyard, drums\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44442724794468,"sku":"VRIC053","price":8800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/JOHNNYHODGESSOLOISTBILLYSTRAYHORNANDTHEORCHESTRA.jpg?v=1739697444"},{"product_id":"johnny-hodges-and-his-orchestra-2-lps-blues-a-plenty","title":"JOHNNY HODGES AND HIS ORCHESTRA 2 LP'S - BLUES A-PLENTY","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=sruKEckwR_4\u0026amp;list=PLHEJ_qPjuOewmShGrTJT3BAE4O3OocVrD\" target=\"_blank\" rel=\"noopener\"\u003eI Didn't Know About You\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=4Mgr1wnCmus\u0026amp;list=PLHEJ_qPjuOewmShGrTJT3BAE4O3OocVrD\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eCool Your Motor\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=QDCRLNamKmg\u0026amp;list=PLHEJ_qPjuOewmShGrTJT3BAE4O3OocVrD\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eGone With The Wind\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=3FkhJHwS0D8\u0026amp;list=PLHEJ_qPjuOewmShGrTJT3BAE4O3OocVrD\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eHoney Hill\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=_SzXFhii87Q\u0026amp;list=PLHEJ_qPjuOewmShGrTJT3BAE4O3OocVrD\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eBlues-A-Plenty\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=QPsw7v443s8\u0026amp;list=PLHEJ_qPjuOewmShGrTJT3BAE4O3OocVrD\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eDon't Take Your Love From Me\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=86bi83575EY\u0026amp;list=PLHEJ_qPjuOewmShGrTJT3BAE4O3OocVrD\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eSaturday Afternoon Blues\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=8dS2Dod7CIY\u0026amp;list=PLHEJ_qPjuOewmShGrTJT3BAE4O3OocVrD\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eSatin Doll\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003cbr\u003e9. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=3mZgSrK6Ml4\u0026amp;list=PLHEJ_qPjuOewmShGrTJT3BAE4O3OocVrD\u0026amp;index=10\" target=\"_blank\" rel=\"noopener\"\u003eReeling And Rocking\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!\" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November\/December 2011\u003c\/p\u003e\n\u003cp\u003eOne of the giants of the alto saxophone, Johnny Hodges was perhaps the most important soloist and sideman in Duke Ellington's orchestra from 1928 up to Hodges' death in 1970. The self-taught player made many solo forays during his long career - one of his '50s outfits included a young John Coltrane - but history remembers Hodges for his virtuosic sidemanship, particularly his sensitive rendering of ballads.\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1958.\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44442731151460,"sku":"VRIC054","price":7200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/JOHNNYHODGESANDHISORCHESTRA2LP_S-BLUESA-PLENTY.jpg?v=1739698758"},{"product_id":"brandford-marsalis-quartet-the-secret-between-the-shadow-and-the-soul","title":"BRANDFORD MARSALIS QUARTET - THE SECRET BETWEEN THE SHADOW AND THE SOUL","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=gN0Hyy-FUBE\u0026amp;list=PLXGzQY2j7sdUNG7xfn9KaWosQfBRB82EA\" target=\"_blank\" rel=\"noopener\"\u003eDance of the Evil Toys (Eric Revis) – 8:23\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=tHLYqvCpuZI\u0026amp;list=PLXGzQY2j7sdUNG7xfn9KaWosQfBRB82EA\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eConversation Among the Ruins (Joey Calderazzo) – 8:46\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=I4iBQwSdWWQ\u0026amp;list=PLXGzQY2j7sdUNG7xfn9KaWosQfBRB82EA\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eSnake Hip Waltz (Andrew Hill) – 5:51\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=WYxY8Ky3gH8\u0026amp;list=PLXGzQY2j7sdUNG7xfn9KaWosQfBRB82EA\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eCianna (Joey Calderazzo) – 7:32\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=3kdPC6qCH_Y\u0026amp;list=PLXGzQY2j7sdUNG7xfn9KaWosQfBRB82EA\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eNilaste (Eric Revis) – 10:15\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=SZVzVSR2HQI\u0026amp;list=PLXGzQY2j7sdUNG7xfn9KaWosQfBRB82EA\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eLife Filtering from the Water Flowers (Branford Marsalis) – 9:00\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=hnb1FTJCIgM\u0026amp;list=PLXGzQY2j7sdUNG7xfn9KaWosQfBRB82EA\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eThe Windup (Keith Jarrett) – 12:30\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Branford Marsalis Quartet Expands Range and Creativity On New Album ‘The Secret Between the Shadow and the Soul’.\u003c\/p\u003e\n\u003cp\u003eRelease Date: March 1, 2019\u003c\/p\u003e\n\u003cp\u003eThe Branford Marsalis Quartet announce the release of their new album, The Secret Between the Shadow and the Soul, on March 1 via OKeh Records, an imprint of Sony Music Masterworks, and Marsalis Music.  Available now to BUY, the new album finds the celebrated ensemble at a new peak, addressing a kaleidoscope of moods with inspiration and group commitment. \u003c\/p\u003e\n\u003cp\u003eThe quartet that saxophonist Branford Marsalis has led for the past three decades has always been a model of daring, no-apologies artistry, of ever-widening musical horizons and deepening collective identity.  With likeminded support from pianist Joey Calderazzo and bassist Eric Revis (each with 20 years of service to the group) and drummer Justin Faulkner (the “rookie” who has been aboard since 2009), the band has long been a model of how to sustain and enlarge a musical outlook that is both historically and stylistically inclusive.  Successive recordings have revealed new plateaus, and The Secret Between the Shadow and the Soul, the band’s first since 2016’s acclaimed Upward Spiral with guest Kurt Elling and first pure quartet effort since 2012’s Four MFs Playin’ Tunes, captures a new emphasis on both how to express and how to document the music.\u003c\/p\u003e\n\u003cp\u003e“Working with Kurt for a year and a half took me back to what I learned in hindsight from my gig with Sting,” Marsalis explains.  “Working with a singer changes you in ways you don’t realize.  When I started playing jazz after my background in R\u0026amp;B, all the possibilities I discovered led me to play solos that went on and on.  Sting said, `No, you’ve got 45 seconds,’ which did more than just cause me to edit.  It taught me to focus on the melodies, to get to the point.”\u003c\/p\u003e\n\u003cp\u003eThe gigs that followed Upward Spiral had a similar effect on the rest of the quartet.  “The guys in the band hadn’t been in thatposition for a long time, either, and it totally changed how we play.  We became tighter, because it was more about what we could do to support.”  As a result, Marsalis realized that he could no longer be satisfied with the creative tension sparked when new material was confronted in the recording studio.  “I still like the idea of having everyone bring in whatever they want to bring in when it’s time to record and seeing what we can develop,” he admits, “but we couldn’t just take the `jam session’ approach to recording anymore.  We had to go out and work the music.”\u003c\/p\u003e\n\u003cp\u003eSo after an initial get-acquainted week of gigs and studio work at the Ellis Marsalis Center in New Orleans in October 2017, the band hit the road, probing and absorbing the new material as it toured the world.  “In June,” says Marsalis, “when we had five days off in Melbourne, I asked the guys if they wanted to have fun or to work.  We were ready to deal with the music.”  In the Alexander Theatre at Monash University in Clayton, Australia,the band documented the seven latest additions to its already prodigious repertoire.\u003c\/p\u003e\n\u003cp\u003eThe result is as complete a picture as one can assemble of the Marsalis Quartet within the confines of an hour.  As usual there is compositional input from the veteran members, with Revis supplying the surging “Dance of the Evil Toys” and more tensile yet equally dynamic “Nilaste,” while Calderazzo reinforces the lyrical compositional yin to his virtuosic keyboard yang in “Cianna” and “Conversation Among the Ruins.”  In addition to the leader’s own “Life Filtering from the Water Flowers,” with one of his most deeply felt and keenly shaded tenor saxophone solos, there are two of the more challenging jazz jewels of the mid-seventies, Andrew Hill’s “Snake Hips Waltz” and Keith Jarrett’s “The Windup.”\u003c\/p\u003e\n\u003cp\u003eWhether navigating the quirky three-bar phrases of Hill’s piece or the elegant composure of “Cianna,” the rambunctious mechanisms of “Evil Toys” or the haunting ruminations of “Life Filtering,” the quartet generates distinct and unerringly apt sonic profiles.  “Sonny Rollins provided the template for playing each piece with a ton of vocabulary and how to use the sound of one’s instrument,” Marsalis notes.  “With us, it’s all about sound and the power it has to create emotion.  When you deal with sound, you don’t play the same thing twice in a row.  You listen to each other, and every song is different.”\u003c\/p\u003e\n\u003cp\u003eOther influences, ranging from European opera and African percussion ensembles to such saxophone beacons as Ben Webster, Wayne Shorter, John Coltrane and Ornette Coleman, have shaped Marsalis’s command at non-verbal storytelling.  “My approach in both writing and soloing is melodic and rhythmic, with harmony third,” he stresses.  “We mold the harmony to the melody, where too many people let the harmony dictate.  And we play in the cracks.  I want to channel that vibe of all the great music I’ve heard, but to apply my own ideas.”\u003c\/p\u003e\n\u003cp\u003eMarsalis still finds that the perfect vehicle for realizing his goals is his stellar working band.  “Some musicians may need to work in different projects to create the illusion of sounding different by changing the context, whereas we are confident that we can adjust our group sound so we don’t have to change the context.  What always appealed to me were the great bands, not just the great players who could start and stop at the same time.  Staying together allows us to play adventurous, sophisticated music and sound good.  Lack of familiarity leads to defensive playing, playing not to make a mistake.  I like playing sophisticated music, and I couldn’t create this music with people I don’t know.”\u003c\/p\u003e\n\u003cp\u003eThe Secret Between the Shadow and the Soul confirms Branford Marsalis’s vision.  It is sophisticated, adventurous and anything but defensive, and it captures a great band sounding better than ever.\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44442744651876,"sku":"VRIC056","price":3699.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/BRANDFORDMARSALISQUARTET-THESECRETBETWEENTHESHADOWANDTHESOUL.jpg?v=1739699663"},{"product_id":"john-mayall-blues-breakers-crusade","title":"JOHN MAYALL - BLUES BREAKERS CRUSADE","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=9Xvc-KzniPM\u0026amp;list=PLx3FeA88_cZ8BTJimdibXOecczJXT2ixU\u0026amp;index=1\" target=\"_blank\" rel=\"noopener\"\u003eOh, Pretty Woman (A. C. Williams) – 3:40\u003c\/a\u003e\u003cbr\u003e2. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=4E1brEyI1M8\u0026amp;list=PLx3FeA88_cZ8BTJimdibXOecczJXT2ixU\u0026amp;index=2\" target=\"_blank\" rel=\"noopener\"\u003eStand Back Baby – 1:50\u003c\/a\u003e\u003cbr\u003e3. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=tEsqK4Vc9t4\u0026amp;list=PLx3FeA88_cZ8BTJimdibXOecczJXT2ixU\u0026amp;index=3\" target=\"_blank\" rel=\"noopener\"\u003eMy Time After Awhile (Ron Badger, Sheldon Feinberg, Robert Geddins) – 5:15\u003c\/a\u003e\u003cbr\u003e4. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=0os0jZJhTJs\u0026amp;list=PLx3FeA88_cZ8BTJimdibXOecczJXT2ixU\u0026amp;index=4\" target=\"_blank\" rel=\"noopener\"\u003eSnowy Wood (instrumental) (Mayall, Mick Taylor) – 3:41\u003c\/a\u003e\u003cbr\u003e5. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=XDHgp87YX3M\u0026amp;list=PLx3FeA88_cZ8BTJimdibXOecczJXT2ixU\u0026amp;index=5\" target=\"_blank\" rel=\"noopener\"\u003eMan of Stone (Eddie Kirkland) – 2:29\u003c\/a\u003e\u003cbr\u003e6. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=iJVnHgLwMWA\u0026amp;list=PLx3FeA88_cZ8BTJimdibXOecczJXT2ixU\u0026amp;index=6\" target=\"_blank\" rel=\"noopener\"\u003eTears in My Eyes – 4:20\u003c\/a\u003e\u003cbr\u003e7. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=iqKcnIi9MSA\u0026amp;list=PLx3FeA88_cZ8BTJimdibXOecczJXT2ixU\u0026amp;index=7\" target=\"_blank\" rel=\"noopener\"\u003eDriving Sideways (instrumental) (Freddie King, Sonny Thompson) – 4:03\u003c\/a\u003e\u003cbr\u003e8. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=ig6C0Lkqdic\u0026amp;list=PLx3FeA88_cZ8BTJimdibXOecczJXT2ixU\u0026amp;index=8\" target=\"_blank\" rel=\"noopener\"\u003eThe Death of J. B. Lenoir – 4:27\u003c\/a\u003e\u003cbr\u003e9. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=zsGaTcmxGG8\u0026amp;list=PLx3FeA88_cZ8BTJimdibXOecczJXT2ixU\u0026amp;index=9\" target=\"_blank\" rel=\"noopener\"\u003eI Can't Quit You Baby (Willie Dixon) – 4:35\u003c\/a\u003e\u003cbr\u003e10. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=V66L5AXSJhA\u0026amp;list=PLx3FeA88_cZ8BTJimdibXOecczJXT2ixU\u0026amp;index=10\" target=\"_blank\" rel=\"noopener\"\u003eStreamline – 3:19\u003c\/a\u003e\u003cbr\u003e11. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=WPe2ctnbqSI\u0026amp;list=PLx3FeA88_cZ8BTJimdibXOecczJXT2ixU\u0026amp;index=11\" target=\"_blank\" rel=\"noopener\"\u003eMe and My Woman (Gene Barge) – 4:05\u003c\/a\u003e\u003cbr\u003e12. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=8C-MI1cwqt4\u0026amp;list=PLx3FeA88_cZ8BTJimdibXOecczJXT2ixU\u0026amp;index=12\" target=\"_blank\" rel=\"noopener\"\u003eCheckin' Up on My Baby (Sonny Boy Williamson II) – 3:59\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJohn Mayall has essentially made a career from presenting a British version of the American art form of the blues, so perhaps it’s ironic that he has half as many chart albums to his name at home as he does in the US. But on September 23, 1967, his fourth LP (and third studio) release kept up his initial hot streak in the UK when Crusade entered the bestsellers.\u003c\/p\u003e\n\u003cp\u003eThe great British blues figurehead and his famous band line-up of the time had first made the Top 10 in Mayall’s home country in September 1966 with Blues Breakers. That was the set otherwise affectionately known as the “Beano Album,” since it featured a certain Blues Breaker by the name of Eric Clapton reading that august journal, the long-running children’s comic The Beano, on the front cover. Just six months later, Mayall and co were back in the Top 10 with A Hard Road.\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44442752417892,"sku":"VRIC057","price":2990.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/JOHNMAYALL-BLUESBREAKERSCRUSADE.jpg?v=1739702231"}],"url":"https:\/\/oceanicsound.co.in\/collections\/jazz-blues.oembed?page=4","provider":"Oceanic Sound and Vision","version":"1.0","type":"link"}