{"product_id":"the-doors-waiting-for-the-sun-1","title":"THE DOORS - WAITING FOR THE SUN","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"58\" data-end=\"80\" class=\"\"\u003e\n\u003cp data-start=\"61\" data-end=\"80\" class=\"\"\u003e\u003ca href=\"https:\/\/youtu.be\/mTu1GQSyq4I?si=5NgchO3BXa48YVFe\" target=\"_blank\" title=\"Hello, I Love You\" rel=\"noopener\"\u003eHello, I Love You\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"81\" data-end=\"97\" class=\"\"\u003e\n\u003cp data-start=\"84\" data-end=\"97\" class=\"\"\u003e\u003ca href=\"https:\/\/youtu.be\/vf7m-ogAW5A?si=ykNKkEBVCVuBFzEK\" target=\"_blank\" title=\"Love Street\" rel=\"noopener\"\u003eLove Street\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"98\" data-end=\"125\" class=\"\"\u003e\n\u003cp data-start=\"101\" data-end=\"125\" class=\"\"\u003e\u003ca href=\"https:\/\/youtu.be\/Q3P0vbo27tU?si=SFW3f1dVy7uuPGUU\" target=\"_blank\" title=\"Not To Touch The Earth\" rel=\"noopener\"\u003eNot To Touch The Earth\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"126\" data-end=\"151\" class=\"\"\u003e\n\u003cp data-start=\"129\" data-end=\"151\" class=\"\"\u003e\u003ca href=\"https:\/\/youtu.be\/l_FKD8eiUK0?si=Qvf60zBdeKpaw2Az\" target=\"_blank\" title=\"Summer's Almost Gone\" rel=\"noopener\"\u003eSummer's Almost Gone\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"152\" data-end=\"172\" class=\"\"\u003e\n\u003cp data-start=\"155\" data-end=\"172\" class=\"\"\u003e\u003ca href=\"https:\/\/youtu.be\/tv4xzDV7SnI?si=WBNrPjjUnNH3nuPg\" target=\"_blank\" title=\"Wintertime Love\" rel=\"noopener\"\u003eWintertime Love\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"173\" data-end=\"197\" class=\"\"\u003e\n\u003cp data-start=\"176\" data-end=\"197\" class=\"\"\u003e\u003ca href=\"https:\/\/youtu.be\/5FZvdtwl7wM?si=518Byh3ncsFfToN1\" target=\"_blank\" title=\"The Unknown Soldier\" rel=\"noopener\"\u003eThe Unknown Soldier\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"198\" data-end=\"218\" class=\"\"\u003e\n\u003cp data-start=\"201\" data-end=\"218\" class=\"\"\u003e\u003ca href=\"https:\/\/youtu.be\/uwr3nsCHiO8?si=8QujLOqGhTVpuOuN\" target=\"_blank\" title=\"Spanish Caravan\" rel=\"noopener\"\u003eSpanish Caravan\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"219\" data-end=\"236\" class=\"\"\u003e\n\u003cp data-start=\"222\" data-end=\"236\" class=\"\"\u003e\u003ca href=\"https:\/\/youtu.be\/bGSbBaxLufw?si=Sjv3cEnbdKnWxFy0\" target=\"_blank\" title=\"My Wild Love\" rel=\"noopener\"\u003eMy Wild Love\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"237\" data-end=\"270\" class=\"\"\u003e\n\u003cp data-start=\"240\" data-end=\"270\" class=\"\"\u003e\u003ca href=\"https:\/\/youtu.be\/6FMElpHCqSo?si=rNzt2nc54pzphHOp\" target=\"_blank\" title=\"We Could Be So Good Together\" rel=\"noopener\"\u003eWe Could Be So Good Together\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"271\" data-end=\"297\" class=\"\"\u003e\n\u003cp data-start=\"275\" data-end=\"297\" class=\"\"\u003e\u003ca href=\"https:\/\/youtu.be\/H7mHcGAXiH4?si=WPZ3W4b66w2btwxy\" target=\"_blank\" title=\"Yes, The River Knows\" rel=\"noopener\"\u003eYes, The River Knows\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"298\" data-end=\"315\" class=\"\"\u003e\n\u003cp data-start=\"302\" data-end=\"315\" class=\"\"\u003e\u003ca href=\"https:\/\/youtu.be\/jpDFll30XZU?si=ULtI2O8Wnyd5g2o0\" target=\"_blank\" title=\"Five To One\" rel=\"noopener\"\u003eFive To One\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer\/engineer.\u003c\/p\u003e\n\u003cp\u003eTwo 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings\/Also on Hybrid Multichannel SACD\u003c\/p\u003e\n\u003cp\u003ePart of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWaiting For The Sun, The Doors’ third album and its first chart-topper, delivered the No. 1 signature smash “Hello, I Love You” and the Top 40 hit “The Unknown Soldier.”\u003c\/p\u003e\n\u003cp\u003eSlant Magazine proclaims that Waiting For The Sun contains some of The Doors’ prettiest, most genial lilts: “Love Street,” a fictionalized sketch of the Bohemian street where Morrison lived with his wife, Pamela Courson; the wistful “Summer's Almost Gone,” which includes the lovely refrain, “Morning found us calmly unaware\/Noon burned gold into our hair”; and the placid piano ballad “Yes, The River Knows.” More and more, says Slant, Morrison was starting to emulate one of his idols, Frank Sinatra — “after all, they had an insatiable taste for women and alcohol in common.”\u003c\/p\u003e\n\u003cp\u003eWaiting For The Sun was also some of The Doors' most combative, political work. \"The Unknown Soldier\" was a barefaced antiwar attack, a reaction to the Vietnam-era hostilities brewing on the home front.\u003c\/p\u003e\n\u003cp\u003eAnalogue Productions and Quality Record Pressings are proud to announce that six studio LP titles — The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman —  are featured on 180-gram vinyl, pressed at 45 rpm. All six titles are also available on Multichannel SACD! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\u003c\/p\u003e\n\u003cp\u003eA truly authentic reissue project, the masters were recorded on tube equipment, and the tape machine used for the transfer of these releases is a tube machine, as is the cutting system. Tubes baby!\u003c\/p\u003e\n\u003cp\u003eThis is no time to wallow in the mire. The Doors are on Analogue Productions!\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1968.\u003c\/p\u003e\n\u003cp\u003eRay Manzarek, keyboards\u003c\/p\u003e\n\u003cp\u003eJim Morrison, vocals\u003c\/p\u003e\n\u003cp\u003eJohn Densmore, drums\u003c\/p\u003e\n\u003cp\u003eRobby Krieger, guitar\u003c\/p\u003e\n\u003cp\u003eTechnical notes about the recording process by Doors producer\/engineer Bruce Botnick:\u003cbr\u003e\u003cbr\u003e\"Throughout the record history of the Doors, the goal between Paul Rothchild and myself was to be invisible, as the Doors were the songwriters and performers. Our duty was to capture them in the recorded medium without bringing attention to ourselves. Of course, the Doors were very successful, and Paul and I did receive some acclaim, which we did appreciate.\u003c\/p\u003e\n\u003cp\u003e\"If you listen to all the Doors albums, no attempt was made to create sounds that weren't generated by the Doors, except for the Moog Synthesizer on Strange Days, although that was played live in the mix by Jim, but that's another story. The equipment used was very basic, mostly tube consoles and microphones. Telefunken U47, Sony C37A, Shure 56. The echo used was from real acoustic echo chambers and EMT plate reverb units. In those days, we didn't have plug-ins or anything beyond an analogue eight-track machine. All the studios that we used, except for Elektra West, had three Altec Lansing 604E loudspeakers, as that was the standard in the industry, three-track. On EKS-74007, The Doors, we used four-track Ampex recorders and on the subsequent albums, 3M 56 eight-tracks. Dolby noise reduction units were used on two albums, Waiting For The Sun and The Soft Parade. Everything was analogue, digital was just a word. We didn't use fuzz tone or other units like that but created the sounds organically, i.e. the massive dual guitar solo on \"When The Music's Over,\" which was created by feeding the output of one microphone preamp into another and adjusting the level to create the distortion. The tubes were glowing and lit up the control room.\u003c\/p\u003e\n\u003cp\u003e\"When mastering for the 45-RPM vinyl release, we were successfully able to bake the original master tapes and play them to cut the lacquer masters.\"\u003c\/p\u003e\n\u003cp\u003e- Bruce Botnick, July 2012\u003c\/p\u003e\n\u003cp\u003e\"I received test pressings today for both Morrison Hotel and L.A. Woman. I have to tell you that these are the very best pressings I've heard in many, many moons. Great plating and your compound is so quiet that I clearly heard every fade out to its conclusion with no problem. Doug (Sax) and company did a lovely job, the tapes sound pretty damn good for being almost 50 years old and his system is clearly the best...You should be very proud of what you and your troops are doing.\" - Bruce Botnick, The Doors producer\/engineer\u003cbr\u003e\u003c\/p\u003e","brand":"Oceanic Sounds","offers":[{"title":"Default Title","offer_id":44603839709284,"sku":"VRIC416","price":3600.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/2965\/0020\/files\/AAPP_74024-45__78313__03042020034145-1052.jpg?v=1742975656","url":"https:\/\/oceanicsound.co.in\/products\/the-doors-waiting-for-the-sun-1","provider":"Oceanic Sound and Vision","version":"1.0","type":"link"}